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QPR in sampling scandal! ;-)

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[QUOTE]

[b]Raf wrote: [/b]

Has anyone EVER seen that woman before? If she ever gets anywhere close to being a c-lebrity, it's thanks to Queen, why is she complaining? :)
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It wouldn't be her complaining. It'd be her exec bosses and company wanting their share of the cuts of course.
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[b]Raf wrote: [/b]

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[b]inu-liger wrote: [/b]





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[b]Benn wrote: [/b]







If true, this is, yet again, another example of a poor choice of personnel when building a team to make them successful.  Macrae's production is shockingly bad in every single way.  Not doing his job professionally i.e. nicking something off the net and hoping no one will notice is nothing short of gross misconduct.





[/QUOTE]
My bandmate Joshua (no relation to Macrae) absolutely dislikes the way they mixed the drums on Cosmos Rocks.
He liked the toms, but felt the bass drum didn't have enough boom to it, nor did the snare have any ring to it at all.
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Maybe it's Roger then, but I personally felt the drums were more powerful on this album than on any other previous Queen studio album.

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Oh for sure. Beats the hell out of the phake drums that made up a lot, if not most of AKOM, Miracle and Innuendo. I'm glad for one this album has live acoustic drums all the way. I love the live feel to it.

But I can see where Josh is coming from, because the snare in particular doesn't have a nice high-end ring to it. It's moreso for a fat booming sound factor.
Can't say I share his complaints as much about the bass drum however.
Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)
[QUOTE]

[b]inu-liger wrote: [/b]

Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)
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They've ripped it from the "watch in high quality" link of course, that's the FLACTube.
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[b]inu-liger wrote: [/b]



Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)

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ROFLCOPTER [img=/images/smiley/msn/tounge_smile.gif][/img] 

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Keep Passing the Open Windows
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[b]Marcos Napier wrote: [/b]

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[b]inu-liger wrote: [/b]



Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)

[/QUOTE]
They've ripped it from the "watch in high quality" link of course, that's the FLACTube.

[/QUOTE]
TBH, I can't recall them having that feature implemented at the time (late 2007/early 2008). The song would have been made in early 2008 I think, but the HQ feature implemented around this past summer or fall.
Can anyone back me up on that?
inu-liger,

I can see where Josh is coming from too.  It's probably due to the fact that they Macrae used a decent amount of "no-noise" in order to mask any of the other instruments that bled through on to other tracks - for example, the guitar bouncing off of the bass drun skin etc.  My view is that it's inevitable, given that they were trying (admirably) to play as much as possible as a live three-piece in the studio.  Clapton's From The Cradle album is a good example of this, but the bonus there is that the tracks are pretty "naked" in terms of just putting out what was recorded in the studio as opposed to over-producing after the effect and masking out some of the recorded performance.

I thought MIH had, overall, the very best drum sound Roger has ever had.  That and Electric Fire.........
Benn
[QUOTE]

[b]Marcos Napier wrote: [/b]

[QUOTE]

 



[b]inu-liger wrote: [/b]



Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)

[/QUOTE]
They've ripped it from the "watch in high quality" link of course, that's the FLACTube.




[/QUOTE]

But the HQ option on YouTube doesn't feature WAV sound, it features AAC.

"Advanced Audio Coding (AAC) is a standardized, lossy compression and encoding scheme for digital audio. Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at many bit rates."

Damn it, I paid lossy crap! I'm sooooo gonna sue their old British asses!
We got the Cosmos rockin'! We got the Cosmos rockin'! We got the Universe rockin'! We got the Cosmos rockin'! We got the Cosmos rockin' to the mighty power of rock'n'roll!
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[b]A Word In Your Ear wrote: [/b]

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[b]Ken8 wrote: [/b]



"The wave sound effects at the end of the epic song, "were recorded in Cornwall, U.K., where I surf," Macrae said."

Heh.  "Surf" in Cornwall.....heh heh. 

Funny boy, that Macrae

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Newquay in cornwall, has a good surfing beach, nothing like you guys get in australia, but good, all the same for the UK.




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Newquay has a good surfing beach.....heh.  Good one.
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[b]Benn wrote: [/b]

inu-liger,

I can see where Josh is coming from too.  It's probably due to the fact that they Macrae used a decent amount of "no-noise" in order to mask any of the other instruments that bled through on to other tracks - for example, the guitar bouncing off of the bass drun skin etc.  My view is that it's inevitable, given that they were trying (admirably) to play as much as possible as a live three-piece in the studio.  Clapton's From The Cradle album is a good example of this, but the bonus there is that the tracks are pretty "naked" in terms of just putting out what was recorded in the studio as opposed to over-producing after the effect and masking out some of the recorded performance.

I thought MIH had, overall, the very best drum sound Roger has ever had.  That and Electric Fire.........[/QUOTE]
Ahh, OK. Josh would probably refer to that as 'gating', as he uses that on my drum tracks to reduce bleed between microphones (eg. bass drum against the other toms and cymbals).
Josh got new foam material and stuff that he will be installing soon, to make for less bleed and less ambient reverb in our practice/studio space (his basement) and give a bigger, more natural sound. Should make mixing easier for him.
[QUOTE]

[b]Raf wrote: [/b]

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[b]Marcos Napier wrote: [/b]





[QUOTE]





 







[b]inu-liger wrote: [/b]







Oh and if the claims about this being ripped from YouTube on the recording are true, does that make the final product not completely 'lossless'? ;-)





[/QUOTE]
They've ripped it from the "watch in high quality" link of course, that's the FLACTube.




[/QUOTE]

But the HQ option on YouTube doesn't feature WAV sound, it features AAC.

"Advanced Audio Coding (AAC) is a standardized, lossy compression and encoding scheme for digital audio. Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at many bit rates."

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...My ass. A lot of my MP3's sound WAY better than YouTube-quality AAC.
[QUOTE]

[b]Raf wrote: [/b]

Has anyone EVER seen that woman before? If she ever gets anywhere close to being a c-lebrity, it's thanks to Queen, why is she complaining? :)
[/QUOTE]


She had a cameo in the TV series "Lost"
Joyful the sound
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[b]A Word In Your Ear wrote: [/b]

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[b]Raf wrote: [/b]



Has anyone EVER seen that woman before? If she ever gets anywhere close to being a c-lebrity, it's thanks to Queen, why is she complaining? :)

[/QUOTE]


She had a cameo in the TV series "Lost"



[/QUOTE]

...And now, in a Queen + Paul Rodgers album!
We got the Cosmos rockin'! We got the Cosmos rockin'! We got the Universe rockin'! We got the Cosmos rockin'! We got the Cosmos rockin' to the mighty power of rock'n'roll!
I LOVE QUEEN