Mr Mercury wrote:
ThomasQuinn wrote:
Mr Mercury wrote: Not bad, though it does invoke memories of this song http://www.youtube.com/watch?v=NJSqcvAQ8l8&feature=related
Apart from the use of the harmonic minor's major seventh, I don't really hear the similarity, I'll have to admit. Interesting nonetheless. I hadn't heard this song before, but I quite like it. A slight tinge of Irish traditional with a harmonic minor melody.
I was meaning the sax solo right at the end on Will You, which for once isnt overplayed just like the sax isnt in your song. This is a problem I have with some guitar players. Guys like Malmsteen, etc are technically gifted, but try singing their solo's back and you invariably end up sounding like a demented idiot having a fit. Your sax solo is singable and thats what I like about it.
Oh, I see! There was me looking for similarities from bar one onwards,
and missing the big picture. I see what you mean about guitar-solos.
You'll agree with Miles Davis, who said that the problem with guitar
players is that "they always want to play too many notes" (of course,
he was generalizing, but he wouldn't be Miles Davis if he didn't).
I don't object to any fast, complex solo ("Child In Time" features my
all-time favorite guitar solo), but there is a tendency to only mind
the speed when constructing solos, which I believe is a mistake. The
main reason, I think, is that, if your technique is good, playing fast
solos is actually easier, because you don't have to pay too much
attention to intonation, and because it looks cool to see a guy running
his fingers up and down the neck at light speed.
Still, frenetic music isn't the only way, and slow- to mid tempo solos
that are more melodic are often a lot more pleasant to listen to, which
brings us to a problem troubling music since the earliest notated
music, namely that composers and performers get lost in the written
notes and lose sight of the fact that the audience is listening to the
audible result, not the analysis on paper.