Again, year by year, in an attempt to document all the keyboards the band used, AMAP, including settings, presets, etc. I don't count the stylophone here since it's played with a pen rather than fingers.
1971-1974: Hammond C-3 organs ([i]Liar[/i] and [i]Now I'm Here[/i]). Anybody could've played them. They were housed at most studios used by the band including De Lane Lea and Trident.
1975: A Wurlitzer EP-200 electric piano on [i]You're My Best Friend[/i]. It's sometimes been incorrectly referred to as a 'Fender Rhodes', which is a generonym.
1979: I suspect an e-piano was used for [i]SASS[/i] (middle-eight) since no synth in that era could quite make that sound. And of course, this is the year they began using keyboard synths: Oberheim OBX analogue-subtractive.
1980: Roland VP-330 for [i]A Human Body[/i] (the vocoder). On stage, Dr May played an OBX in [i]Flash's Theme[/i] (also video and of course the recording of the albums). Organ on [i]Wedding[/i].
1981: OBX on stage by Fred and Brian, Jupiter 8 in their North American leg. No idea about Venezuela... As for [i]Under Pressure[/i], it could either be the OBX or the Jupiter 8, and there's an organ (an actual one) as well. I suspect an e-piano on [i]Cool Cat[/i] but I'm not sure. I suppose Roger's solo album was done with mostly those two keyboards plus the VP-330 (which also had some nice strings).
1982: OBX and Jupiter 8 (most bass-lines are on the latter as well as the arpeggiator on [i]Las Palabras de Amor[/i] and [i]Action[/i]). There's also an OBX-A played by Morgan Fisher on tour, they could've bought it during or after the HS sessions. The synth solo on [i]Life Is Real[/i] is the Roland; for [i]Action this Day[/i], it's definitely not the Jupiter, but I don't know if it's the OBX-A either, since that's the one Morgan played on stage and the solo doesn't sound as 'rich' as on the album. Maybe they used a sampler instead...
1983: The band probably replaced the OBX by the OBX-A for good, but kept using the Jupiter 8 for most things in both 'Strnage Frontier' and Brian's 'Starfleet Project' (played by Fred Mandel). New items: a Fairlight CMI-III sampler/workstation ([i]Machines[/i]), a Kurzweil K-250 (orchestral hits on [i]KPTOW[/i] extended version) and perhaps an OB-8 later on. For [i]Break Free[/i], Madel played a Jupiter 8.
1984: On tour, Spike used the Jupiter 8 and two OBX-A's as well as a Yamaha CP-80 electric grand piano. Freddie's solo album was mostly done with K-250 and Fairllight. I don't know what was used by Rog for [i]Thank God It's Christmas[/i] but whatever it was sounds fantastic.
1985: They got a DX-7 which was used for many things since for e-pianos ([i]OYOL, RMF, MBDM[/i]), some strings ([i]WWTLF, AKOM, OV, TSMGO, Scandal, WIAI [/i]outro) and probably some more stuff. At Musicland Studios during the making of [i]OV[/i] you can see a Jupiter 8, a K-250 and a Fairlight. And I think there's also an Emulator II.
1986: Live - Emulator II+, DX-7 (x2), Jupiter 8. In the studio, probably the same as '85.
1987 - 1988: Roland D-50 and Emulator II+ (or III?) for most things. I suspect [i]IWIA[/i] comes from the Emulator since the DX-7 strings don't quite sound like that.
1989-1991: The Korg M1 became their main synth ([i]Bijou, Mother Love, I Can't Live With You, Slightly Mad, Don't Try So Hard...[/i]), but I suppose they used other things as well (e.g. Prophet, Kurzweil...).
1993-1995: Ensoniq ASR-10, Roland JD-800 and maybe some digital pianos ([i]Too Much Love, My Life Has Been Saved[/i]).
I also know they had a Kawai e-piano they sold to The Alarm in 1985. Was it ever used? Hard to tell.
Additions, corrections, etc, are appreciated.
Sebastian