Who has experience of the new Vox AC30 C2 amps?

And by the way, I don't own any Hello Kitty products whatsoever, you tool

-double post-

"Maybe mine was just a bad cut of wood or crappy machine heads"

I've always been a bit baffled by the varying opinions of the Burns. Bad Q.C, maybe?

Mine was overpriced when I got it, and I knew it as I was paying for the bastard thing, but after a brief fuckabout with the switching system at the music shop, and hearing what it sounded like when I really cranked it up (it's gratifying when the people who work there AREN'T burying their heads in their hands, because they've heard everything) ... I just had to have the fucker.

When I uprooted the scratchplate and spraypainted it white, I unintentionally fucked the way the pickups were mounted and when I got it all back together, I'd forgotten what all of the heights were. Haven't really changed it since - it's different now, and I like it the way it is.

[QUOTE]

[b]Holly2003 wrote: [/b] [QUOTE] [b]inu-liger wrote: [/b] And not that I should be pic dropping out of spite, buuuuuuuuuuut...... ;-)

[img=http://media.ppnstudio.com/inu-productions/Inu-Burns-Sunburst-RS.jpg][/img][/QUOTE]
That is one gorgeous guitar.[/QUOTE]
Thank you! :)

[QUOTE][QUOTENAME]Micrówave wrote: [/QUOTENAME] Except that Peavy and Squier. They'll sound about the same. [/QUOTE] As usual, you arrogantly think you know it all, eh you stupid little bully? Let me tell you something...when I was doing the one-off gig for fun at the Breakthru convention last year, THAT Squier was used for CLTCL and Man On Fire, and I can very bloody well tell you it did NOT sound the same even on the vintage AC30 that we'd rented for the gig. It sounded BETTER if anything. But I'm not going to arse myself to post A:B samples, because I already know that won't change your biased one-track-minded "opinions" towards me, you judgmental git :-)

[QUOTE] [b]inu-liger wrote:[/b]
But I'm not going to arse myself to post A:B samples, because I already know that won't change your biased one-track-minded "opinions" towards me, you judgmental git :-)[/QUOTE]
Good choice.

Things like "facts" and "evidence" aren't of interest to binary thinkers who use ideology to form their viewpoints.

In terms of music technology, my favourite thing to do in A:Bs has been to lie about what was being A:B'd, or sometimes not change anything at all.

I don't do it often but there's been occasions where it's had funny results.

Unless they can be turned up to 11, they are rubbish.

[QUOTE] [b]Zebonka12 wrote:[/b]
"Maybe mine was just a bad cut of wood or crappy machine heads"
I've always been a bit baffled by the varying opinions of the Burns. Bad Q.C, maybe?
Mine was overpriced when I got it, and I knew it as I was paying for the bastard thing, but after a brief fuckabout with the switching system at the music shop, and hearing what it sounded like when I really cranked it up (it's gratifying when the people who work there AREN'T burying their heads in their hands, because they've heard everything) ... I just had to have the fucker.
When I uprooted the scratchplate and spraypainted it white, I unintentionally fucked the way the pickups were mounted and when I got it all back together, I'd forgotten what all of the heights were. Haven't really changed it since - it's different now, and I like it the way it is.[/QUOTE]


Jeez louise...you killed it

I'm assuming that's some kind of sarcasm.

Well, sort of, but all I know is when i once changed the pick up heights on a guitar it took me weeks of mucking about to get it back into something playable

I see.

Well I panicked when it happened, but all that really took place is that the heights were no longer ... whatever was recommended for a Brian sound. I just know that I preferred the neck pickup sound afterwards, so I decided to leave it.