Daniel Nester
Have you read the script, know the storyline, seen the [reputed] director's films, the screenwriter's films?
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Posts in chronological order
MEDUSA-RULES
[QUOTE] [b]Daniel Nester wrote:[/b]
Have you read the script, know the storyline, seen the [reputed] director's films, the screenwriter's films?[/QUOTE]
I have not read the script
I have seen a few films of the hoped for director- he has made some good films
the screenwriters wrote nixon i have seen that its a bio obviously, they have written other bios also ( ALI), so they can write biographies.
But a musician biography is diffrent from a poltical one, they are more like Stephen Frears the Queen, Which was scripted by Peter Morgan,who did the first draft of the freddie bio- which i thought it was ok, and used symbols to talk about Diana being murdered, but it was not very obvious.
It also used stock footage which should NOT BE USED IN THE FREDDIE MOVIE.
Stephen Frears has done period set films such as prick up your ears, which really caught a look of the sixties london very well.
How that would translate to working on digital though i dont know, as the whole look i think is different than film, it is devoid of real atmosphere, all looks the same.
I think they should use real film and back up to digital. Anyway, nothing should look false, they should recreate, use actual stadiums and real audiences, i am sure they could fill them, especially in south america etc and london, as wembley was not that big only what 60 thousand,? 72 ,00 actually just looked it up- .
but please dont use cgi for audiances.
But he Stephen Freasrs directed that story -JOE ORTONS BIO- very well, and not just made it look good, it was put together very well, the story.
The approach should be like they are making Ben Hur, DONT CUT CORNERS.
http://freddiemercurybiopic.wordpress.com/category/jeremy-kapone/
Wasn't the radio gaga lyric,
So dont become some background noise
just backed up for the girls and boys?
THE WHOLE SENTIMENT OF THAT SONG IS LIKE A WORD OF WISDOM TO QUEEN ABOUT ITSELF
CONCERNING THIS MOVIE
It could become their finest hour (posthumously)
People grumble they never got a chance to see them live, the use of the magic of cinema is the one medium that could really capture that for people and let them experience it on many levels, notably, aswell as the actual rock music, also an artistic expression of emotion can be created, this is tangible and can be experienced if you look and listen at the very end of my special edition video, where i set live footage of Queens run up to their last stand basically, to John Barry's out of africa theme.
It works perfectly , i defy anyone not to be moved, even to tears.
http://www.youtube.com/watch?v=guqiYBkLrko
Have you read the script, know the storyline, seen the [reputed] director's films, the screenwriter's films?[/QUOTE]
I have not read the script
I have seen a few films of the hoped for director- he has made some good films
the screenwriters wrote nixon i have seen that its a bio obviously, they have written other bios also ( ALI), so they can write biographies.
But a musician biography is diffrent from a poltical one, they are more like Stephen Frears the Queen, Which was scripted by Peter Morgan,who did the first draft of the freddie bio- which i thought it was ok, and used symbols to talk about Diana being murdered, but it was not very obvious.
It also used stock footage which should NOT BE USED IN THE FREDDIE MOVIE.
Stephen Frears has done period set films such as prick up your ears, which really caught a look of the sixties london very well.
How that would translate to working on digital though i dont know, as the whole look i think is different than film, it is devoid of real atmosphere, all looks the same.
I think they should use real film and back up to digital. Anyway, nothing should look false, they should recreate, use actual stadiums and real audiences, i am sure they could fill them, especially in south america etc and london, as wembley was not that big only what 60 thousand,? 72 ,00 actually just looked it up- .
but please dont use cgi for audiances.
But he Stephen Freasrs directed that story -JOE ORTONS BIO- very well, and not just made it look good, it was put together very well, the story.
The approach should be like they are making Ben Hur, DONT CUT CORNERS.
http://freddiemercurybiopic.wordpress.com/category/jeremy-kapone/
Wasn't the radio gaga lyric,
So dont become some background noise
just backed up for the girls and boys?
THE WHOLE SENTIMENT OF THAT SONG IS LIKE A WORD OF WISDOM TO QUEEN ABOUT ITSELF
CONCERNING THIS MOVIE
It could become their finest hour (posthumously)
People grumble they never got a chance to see them live, the use of the magic of cinema is the one medium that could really capture that for people and let them experience it on many levels, notably, aswell as the actual rock music, also an artistic expression of emotion can be created, this is tangible and can be experienced if you look and listen at the very end of my special edition video, where i set live footage of Queens run up to their last stand basically, to John Barry's out of africa theme.
It works perfectly , i defy anyone not to be moved, even to tears.
http://www.youtube.com/watch?v=guqiYBkLrko
MEDUSA-RULES
[QUOTE] [b]Daniel Nester wrote:[/b]
Have you read the script, know the storyline, seen the [reputed] director's films, the screenwriter's films?[/QUOTE]
Here are some ideas i had
OK New Opening idea
(The PARIS THING CAN STILL BE USED LATER IN THE MOVIE)
Scene
Liverpool night time rainy backstreet of club
cobble backstreet scene
opens from arial view down into bleack cobbled wet alleyway
almost looks like its lit by gaslight very gloomy
dim distant sound of uproarous applause and foot banging and audience CYRING for more more etc
with lude remarks scattered also
otherwise very quiet
with intermitent sound cuts to backstreet with this quiet
with sound of rain hitting metal bins
and pouring from gutters into drains
1970's liverpool past midnight
cut
to back exit door on the gloomy street
more applause and thuddding of stamping feet
etc moar moar
still on door itself
backdoor of club
when we then HEAR sound of Freddie voice over audience
him replying to audience
saying "
thankyou my dearies ..." etc etc in outrageous manner
etcetc
"we are goint to leave you with......." etcetc
NOTE
Just see the door during all this
then-
cut to
inside very dark of behind stage left
behind a dark curtain as man rushes through and to Freddie
we only see back of freddie and he wispers message into freddie ear
("we got trouble out front ,and they are making there way to the back, you may want get off now and quick IF you want to avoid it we got no back up here! but I advise....ETCETC")
So Freddie says something outrageously dirty to audience about what man said,
And says
"goodnight my lovelies"
or something to that affect audience goes bannanas and booing "no no no "more" more" etc!!
He then quickly leaves the stage fully dressed in outrragous black costume , eyes painted, black nails etc long amazing dark hiar and he is whisked through back corridoor with Brian Roger and John.
Roger all the while urgently talking to tour manager as they hurriendly WALK VERY QUCKLY (they ARE up infront).
Freddie lagging behind is moaning about it all , saying this is "This is outrageous ! we didnt finish the show " etc
cut
meanwhile we then go outside and we see a gang of thugs
feet RUNNING ON COBBLES
marching down alley towards the exit door
As rain pours ,
THE GANG OF 5 OR 6 uttering curses about bloody queers etc etc
THEY ARE holding bars in hands as they walk up towards the backdoor of the club and towards two vans parked up.
CUT
one for the bands equipment which is still on the stage and another for the band members driven by Brian
or Roger or John usually .
Three sit in front with Freddie in the back .
The back of the bands van is decked out with a luxurious red velvet decor and very exotic furnishings , virtually a mini home from home, that could also double up as a dressing room
(could show indian influencs wall beads etcetc)
next scene
Roger and bulky tour manager burst through the back door !!
making way for Freddie Brian a John to come after them,
John joins Roger and the bulky tour man
to confront the thugs
who scream out
"There they !!
are get Em!!"
As they kick over empty bottleracks
and rubish bins making noise
THEMUSIC STARTS
THE IMMIGRANT SONG BY LED ZEPELEIN
http://www.youtube.com/watch?v=nBmueYJ0VhA
which basically acompanies the fight scene and the comical aspect of it all.
One rubbish bin the lid of which Roger picks up
and starts bashing one of the assailants who are now right at them face to face
screaming obscenities and spittingly vicious (we see one is brandishing a knife)
Roger is holding the metal lid he picked up , he is holding it like a shield and procceeds to beat the knife holder round the head with it kicking him flying hard to the wet cobbled ground ,
blood flowing and IMMIGRANT SONG MUSIC ROCKING
John and tour man lay into the gang of fiveor 6 thugs, punching into guts etc and face
fists flying etcetc
Meanwhile Brian is helping Freddie into his luxury boudoir .
Freddy is laughing his head off but moaning about breaking one of his nails , as he settles down inside the safety of his luxurious travelling quarters.
The thugs are deterred by Roger, Johns and the tour guys strong and violent resistance, and they run off bloody and worse for their efforts out of the alley.
As Roger and John clamber into the van .
Freddie screeches
"Roger i broke one of my nails !!"
Brian who already had the engine roaring after making sure freddie was comfortable speeds off as the tour man goes back into through the open club door to get the roadies who had been grouped peeping through the clubs toilet window onto the scene of the fight growling at them to start loading the bands Equipment
a comical take on the story of the brawl Roger recounted happened in liverpool
set to led zepellin's
immigrant song music
http://www.youtube.com/watch?v=nBmueYJ0VhA
A Suitable vehicle and a good way of opening the first queen live as QUEEN
Next you could show
THE VAN ON MOTERWAY HEADING BACK TO LONDON
Where you start your central plot story
of the meteric RISE
Showing all members living together in dingy flat
then later
working and working
SOHO SCENES GOOD CINEMA RECREATION OF THAT LOST PART OF LONDON ETC
but managers steal money
enter john reid etc
Also after change
featuring Freddies home life in first flat
And band members life as contrast
showng a kindo if unfillfillment of Freddie as opposed to they with families.
but freddie is in love with Mary Austin but there is that tension before he accepts he is not going to be able to stay with Mary in a conventinal way etc
also song ideas made at home etc
studio recordings
TV appearences frictions etc etc
rise up the charts with each various early seventies hit Killer Queen
Link in Kenny everett
to Bohemain Rhapsody, top of the pops
INtercut showing all this happening in Britian while showing them in AWAY in USA with MOTT or was that Japan?
then returning TO BRITAIN
to their succes and DOING THE HYDE PARK FREE CONCERT
ETC
then usa tour
making jazz
france etc
later 77 etc
news of world
key scene could be at Roger's mansion house where they filmed we will rock you and SPREAD YOUR WINGS
WE SEE QUEEN AT ROGERS MANSION ETC ASWELL AS IN THE GARDEN
(THIS WILL LOOK GOOD CINEMATICALLY AS IT WAS SNOWING AND LARGE FOREST AND BIG HOUSE LIFSTLYE OF ROCK STAR ETC )
Roger could show the band his cars etcetc i think artistic licence is a must
painted over and around the basic truths as a framework of plot .
(End the 1970's era with my paris 79 SCENE)
THEN TO 80'S
and massive south american tours
INFER AND
make Freddie like LIKE EVA PERON TO SOUTH AMERICAN AUIDIENCES
until the eighties came then
FRICTIONS HOT SPACE
FREDDIES ASSISTENT
TAKING QUEEN IN NEW DIRECTIONS GAY DISCO ETC
but you make it interesting by showing
Freddies personal life and personal ambitions musically
and bands friction with both
also make it interesting for viewers
by making it as though though they were able to walk around behind FREDDIE seeing everything he did
everyone he met,
where he went,
showbizz friends etc etc
IBIZA ISLAND PARRTIES ETC
NEW YORK - MUNICH life style
people he broke frienships with etc
conversations band music,
lifestyle frictions etcetc
and how they all keep coming back to queen inspite of these frictions and recording
until the LIVE AID
and the PUSH AT THEM TO DO IT
when they feel almost like spltting up
HOW THEY DO, AND GET THE NEW ZEST FROM ITS WORLDWIDE SUCCESS
And they then make another album and embark on their biggest ever tour, going into eastern europe and ending at knebworth.
Question:
do you think they should somehow include Brian and his father making the red special from the fireplace ?
I do, i mean its made for cinema isnt it?
Have you read the script, know the storyline, seen the [reputed] director's films, the screenwriter's films?[/QUOTE]
Here are some ideas i had
OK New Opening idea
(The PARIS THING CAN STILL BE USED LATER IN THE MOVIE)
Scene
Liverpool night time rainy backstreet of club
cobble backstreet scene
opens from arial view down into bleack cobbled wet alleyway
almost looks like its lit by gaslight very gloomy
dim distant sound of uproarous applause and foot banging and audience CYRING for more more etc
with lude remarks scattered also
otherwise very quiet
with intermitent sound cuts to backstreet with this quiet
with sound of rain hitting metal bins
and pouring from gutters into drains
1970's liverpool past midnight
cut
to back exit door on the gloomy street
more applause and thuddding of stamping feet
etc moar moar
still on door itself
backdoor of club
when we then HEAR sound of Freddie voice over audience
him replying to audience
saying "
thankyou my dearies ..." etc etc in outrageous manner
etcetc
"we are goint to leave you with......." etcetc
NOTE
Just see the door during all this
then-
cut to
inside very dark of behind stage left
behind a dark curtain as man rushes through and to Freddie
we only see back of freddie and he wispers message into freddie ear
("we got trouble out front ,and they are making there way to the back, you may want get off now and quick IF you want to avoid it we got no back up here! but I advise....ETCETC")
So Freddie says something outrageously dirty to audience about what man said,
And says
"goodnight my lovelies"
or something to that affect audience goes bannanas and booing "no no no "more" more" etc!!
He then quickly leaves the stage fully dressed in outrragous black costume , eyes painted, black nails etc long amazing dark hiar and he is whisked through back corridoor with Brian Roger and John.
Roger all the while urgently talking to tour manager as they hurriendly WALK VERY QUCKLY (they ARE up infront).
Freddie lagging behind is moaning about it all , saying this is "This is outrageous ! we didnt finish the show " etc
cut
meanwhile we then go outside and we see a gang of thugs
feet RUNNING ON COBBLES
marching down alley towards the exit door
As rain pours ,
THE GANG OF 5 OR 6 uttering curses about bloody queers etc etc
THEY ARE holding bars in hands as they walk up towards the backdoor of the club and towards two vans parked up.
CUT
one for the bands equipment which is still on the stage and another for the band members driven by Brian
or Roger or John usually .
Three sit in front with Freddie in the back .
The back of the bands van is decked out with a luxurious red velvet decor and very exotic furnishings , virtually a mini home from home, that could also double up as a dressing room
(could show indian influencs wall beads etcetc)
next scene
Roger and bulky tour manager burst through the back door !!
making way for Freddie Brian a John to come after them,
John joins Roger and the bulky tour man
to confront the thugs
who scream out
"There they !!
are get Em!!"
As they kick over empty bottleracks
and rubish bins making noise
THEMUSIC STARTS
THE IMMIGRANT SONG BY LED ZEPELEIN
http://www.youtube.com/watch?v=nBmueYJ0VhA
which basically acompanies the fight scene and the comical aspect of it all.
One rubbish bin the lid of which Roger picks up
and starts bashing one of the assailants who are now right at them face to face
screaming obscenities and spittingly vicious (we see one is brandishing a knife)
Roger is holding the metal lid he picked up , he is holding it like a shield and procceeds to beat the knife holder round the head with it kicking him flying hard to the wet cobbled ground ,
blood flowing and IMMIGRANT SONG MUSIC ROCKING
John and tour man lay into the gang of fiveor 6 thugs, punching into guts etc and face
fists flying etcetc
Meanwhile Brian is helping Freddie into his luxury boudoir .
Freddy is laughing his head off but moaning about breaking one of his nails , as he settles down inside the safety of his luxurious travelling quarters.
The thugs are deterred by Roger, Johns and the tour guys strong and violent resistance, and they run off bloody and worse for their efforts out of the alley.
As Roger and John clamber into the van .
Freddie screeches
"Roger i broke one of my nails !!"
Brian who already had the engine roaring after making sure freddie was comfortable speeds off as the tour man goes back into through the open club door to get the roadies who had been grouped peeping through the clubs toilet window onto the scene of the fight growling at them to start loading the bands Equipment
a comical take on the story of the brawl Roger recounted happened in liverpool
set to led zepellin's
immigrant song music
http://www.youtube.com/watch?v=nBmueYJ0VhA
A Suitable vehicle and a good way of opening the first queen live as QUEEN
Next you could show
THE VAN ON MOTERWAY HEADING BACK TO LONDON
Where you start your central plot story
of the meteric RISE
Showing all members living together in dingy flat
then later
working and working
SOHO SCENES GOOD CINEMA RECREATION OF THAT LOST PART OF LONDON ETC
but managers steal money
enter john reid etc
Also after change
featuring Freddies home life in first flat
And band members life as contrast
showng a kindo if unfillfillment of Freddie as opposed to they with families.
but freddie is in love with Mary Austin but there is that tension before he accepts he is not going to be able to stay with Mary in a conventinal way etc
also song ideas made at home etc
studio recordings
TV appearences frictions etc etc
rise up the charts with each various early seventies hit Killer Queen
Link in Kenny everett
to Bohemain Rhapsody, top of the pops
INtercut showing all this happening in Britian while showing them in AWAY in USA with MOTT or was that Japan?
then returning TO BRITAIN
to their succes and DOING THE HYDE PARK FREE CONCERT
ETC
then usa tour
making jazz
france etc
later 77 etc
news of world
key scene could be at Roger's mansion house where they filmed we will rock you and SPREAD YOUR WINGS
WE SEE QUEEN AT ROGERS MANSION ETC ASWELL AS IN THE GARDEN
(THIS WILL LOOK GOOD CINEMATICALLY AS IT WAS SNOWING AND LARGE FOREST AND BIG HOUSE LIFSTLYE OF ROCK STAR ETC )
Roger could show the band his cars etcetc i think artistic licence is a must
painted over and around the basic truths as a framework of plot .
(End the 1970's era with my paris 79 SCENE)
THEN TO 80'S
and massive south american tours
INFER AND
make Freddie like LIKE EVA PERON TO SOUTH AMERICAN AUIDIENCES
until the eighties came then
FRICTIONS HOT SPACE
FREDDIES ASSISTENT
TAKING QUEEN IN NEW DIRECTIONS GAY DISCO ETC
but you make it interesting by showing
Freddies personal life and personal ambitions musically
and bands friction with both
also make it interesting for viewers
by making it as though though they were able to walk around behind FREDDIE seeing everything he did
everyone he met,
where he went,
showbizz friends etc etc
IBIZA ISLAND PARRTIES ETC
NEW YORK - MUNICH life style
people he broke frienships with etc
conversations band music,
lifestyle frictions etcetc
and how they all keep coming back to queen inspite of these frictions and recording
until the LIVE AID
and the PUSH AT THEM TO DO IT
when they feel almost like spltting up
HOW THEY DO, AND GET THE NEW ZEST FROM ITS WORLDWIDE SUCCESS
And they then make another album and embark on their biggest ever tour, going into eastern europe and ending at knebworth.
Question:
do you think they should somehow include Brian and his father making the red special from the fireplace ?
I do, i mean its made for cinema isnt it?
MEDUSA-RULES
do you think they should somehow include Brian and his father making the red special from the fireplace ?
I do, i mean its made for cinema isnt it?
That could be interspursed in amid opening titles
with actors for Brian his dad etc
opening 1930 bomings 1940's 50's 60's post war britain war sequence infering births or something
THIS CAN BE DONE WITH EACH BAND MEMBER
only infering PLACES & times
dont need to show babies being born
Then CUT TO SPECIFICLY BRIAN AND MAKING OF RED SPECIAL SEQUENCES
cut amid opening titles
their suburb house etc in 60's 50's?
then showing them making it
Young Brian and Dad
working on it
Could set the mood of this era with old fashioned bbc radio music or whatever, in May household as background to this,
foreshadowing in a way radio gaga 1940's family)
show young Brian going to high street shops getting parts etc
ALL THIS cut amid opening titles
ending with a guitar complete like forged in gold or something
and then over the guitar image fading
to the movies title
MERCURY
comes into view
AS MAIN MUSIC COMES IN
Then cut to main story
to student early years,(Jeremy Kapone) Freddie on outside plotting his getting in TO BOTH ENGLISH CULTURE ROCK MUSIC AND HIS DRIVE TO BE A STAR SOMEHOW.
glamerous eventhen , looking like and acting like star,
Freddie as a student early flings with bands
- make liverpool connection clear
intercut humourously with the fact Frddie and Brian lived right near eachother
show brian and roger- USE CORNWALL BREATHTAKING ENGLISH LANSCAPE AND SEA CRASHING ETC
Show Bri and rog famously getting together via university advert etc then
Then bring the two pararrels Fred and Brian - who lived near eachother
coming together
through mutual freinds discovery.
around same time show brian & mary austin and freddie at some party etc
Freddie gets Mary
Then Freddie watching from wings as Brian and Roger try with smile
then HIS taking over and organising Brian and Roger naming band QUEEN etc
then Finding Joseph Gordon (john) then sort of to my above early concerts in liverpool etc
to infinity and beyond
And we are off into the adventure
AS it began
. Plenty more to come that is,
wooh and how much more wow!
it should be amazing
get sacha to prodUCe ONLY
get KAPONE in
I do, i mean its made for cinema isnt it?
That could be interspursed in amid opening titles
with actors for Brian his dad etc
opening 1930 bomings 1940's 50's 60's post war britain war sequence infering births or something
THIS CAN BE DONE WITH EACH BAND MEMBER
only infering PLACES & times
dont need to show babies being born
Then CUT TO SPECIFICLY BRIAN AND MAKING OF RED SPECIAL SEQUENCES
cut amid opening titles
their suburb house etc in 60's 50's?
then showing them making it
Young Brian and Dad
working on it
Could set the mood of this era with old fashioned bbc radio music or whatever, in May household as background to this,
foreshadowing in a way radio gaga 1940's family)
show young Brian going to high street shops getting parts etc
ALL THIS cut amid opening titles
ending with a guitar complete like forged in gold or something
and then over the guitar image fading
to the movies title
MERCURY
comes into view
AS MAIN MUSIC COMES IN
Then cut to main story
to student early years,(Jeremy Kapone) Freddie on outside plotting his getting in TO BOTH ENGLISH CULTURE ROCK MUSIC AND HIS DRIVE TO BE A STAR SOMEHOW.
glamerous eventhen , looking like and acting like star,
Freddie as a student early flings with bands
- make liverpool connection clear
intercut humourously with the fact Frddie and Brian lived right near eachother
show brian and roger- USE CORNWALL BREATHTAKING ENGLISH LANSCAPE AND SEA CRASHING ETC
Show Bri and rog famously getting together via university advert etc then
Then bring the two pararrels Fred and Brian - who lived near eachother
coming together
through mutual freinds discovery.
around same time show brian & mary austin and freddie at some party etc
Freddie gets Mary
Then Freddie watching from wings as Brian and Roger try with smile
then HIS taking over and organising Brian and Roger naming band QUEEN etc
then Finding Joseph Gordon (john) then sort of to my above early concerts in liverpool etc
to infinity and beyond
And we are off into the adventure
AS it began
. Plenty more to come that is,
wooh and how much more wow!
it should be amazing
get sacha to prodUCe ONLY
get KAPONE in
inu-liger
Please stick to Queenonline, thank you very much...
MEDUSA-RULES
[QUOTE] [b]inu-liger wrote:[/b]
Please stick to Queenonline, thank you very much...[/QUOTE]
please just keep your vicious comments to yourself I NI IG U LAR
IGNORAMOUS
you invited me here
you told me to come here
it was your idea remember
i seems your comments about this place were wrong because most people here are infact quite ok as far as i can see.
maybe the complaints you brought up about it were because of your attitude
I did say i hadn't bothered coming here because the people seemed reasonable and i was right.
it would be better for you to infact go back to that gang of vocal morons at queen online because you are obviously one of their number,
i didnt take you as one at first, but sadly youv'e proven yourself to be as aimless, bitter , twisted and moronicly immature as they.
TRULY
the fact that Queen have employed such a bunch of capricious nasty people to run their official forum IS BAD FOR THEIR PR IMAGE
Please stick to Queenonline, thank you very much...[/QUOTE]
please just keep your vicious comments to yourself I NI IG U LAR
IGNORAMOUS
you invited me here
you told me to come here
it was your idea remember
i seems your comments about this place were wrong because most people here are infact quite ok as far as i can see.
maybe the complaints you brought up about it were because of your attitude
I did say i hadn't bothered coming here because the people seemed reasonable and i was right.
it would be better for you to infact go back to that gang of vocal morons at queen online because you are obviously one of their number,
i didnt take you as one at first, but sadly youv'e proven yourself to be as aimless, bitter , twisted and moronicly immature as they.
TRULY
the fact that Queen have employed such a bunch of capricious nasty people to run their official forum IS BAD FOR THEIR PR IMAGE
inu-liger
Inigular...I like that, thank you :)
MEDUSA-RULES
[QUOTE] [b]inu-liger wrote:[/b]
Inigular...I like that, thank you :)[/QUOTE]
what does it mean?
inu-liger
Inigular...I like that, thank you :)[/QUOTE]
what does it mean?
inu-liger
MEDUSA-RULES
[QUOTE] [b]inu-liger wrote:[/b]
Inigular...I like that, thank you :)[/QUOTE]
Good but why bother posting such trivualities?
This is meant to be a serious section
But you just complain because i make an effort to seriously look at what should be covered in the biopic?
If your bored find something constructive to do, instead of one line nastiness that is irrelevant, a waste of time
and adds nothing except your stupidity .
THE SAME GOES FOR ALL THOSE MORANS AT QUEEN ONLINE BECAUSE I TOOK THE TROUBLE TO FIND THE VIRTUALLY IMPOSSIBLE
and succeeded
Who just sniped and complained at me, and tried to divert me into their shit arguments,
Arguments about nothing but themselves and their ENDLESS arrogance OF SELF.
Inigular...I like that, thank you :)[/QUOTE]
Good but why bother posting such trivualities?
This is meant to be a serious section
But you just complain because i make an effort to seriously look at what should be covered in the biopic?
If your bored find something constructive to do, instead of one line nastiness that is irrelevant, a waste of time
and adds nothing except your stupidity .
THE SAME GOES FOR ALL THOSE MORANS AT QUEEN ONLINE BECAUSE I TOOK THE TROUBLE TO FIND THE VIRTUALLY IMPOSSIBLE
and succeeded
Who just sniped and complained at me, and tried to divert me into their shit arguments,
Arguments about nothing but themselves and their ENDLESS arrogance OF SELF.
MEDUSA-RULES
JEREMY KAPONE CAN SPEAK ENGLISH QUITE WELL
Iv'e heard him
AND HE WAS STRESSING HIS FRENCH ACCENT WHILE DOING IT
FOR EFFECT
And the acting is trying to be utlra realism.
as the english woman and english people they are staying with do that style of acting in contrast
to the rest of the style of
the french actors in the previous parts
of the movie before they go to London
to stay with english families- the english actors immediately spoil the tone of the movie.
HE SPEAKS ENGLISH IN THIS CLIP
LOL (Laughing out loud)
http://www.youtube.com/watch?v=vZP8jbV3gG0
In an ironic twist he sounds like Borat due to the english actors
Iv'e heard him
AND HE WAS STRESSING HIS FRENCH ACCENT WHILE DOING IT
FOR EFFECT
And the acting is trying to be utlra realism.
as the english woman and english people they are staying with do that style of acting in contrast
to the rest of the style of
the french actors in the previous parts
of the movie before they go to London
to stay with english families- the english actors immediately spoil the tone of the movie.
HE SPEAKS ENGLISH IN THIS CLIP
LOL (Laughing out loud)
http://www.youtube.com/watch?v=vZP8jbV3gG0
In an ironic twist he sounds like Borat due to the english actors
MEDUSA-RULES
Actors
Kapone, Levitt, Abel & Harris
http://www.youtube.com/watch?v=Hla2Sol2YRI
http://freddiemercurybiopic.wordpress.com/
Kapone, Levitt, Abel & Harris
http://www.youtube.com/watch?v=Hla2Sol2YRI
http://freddiemercurybiopic.wordpress.com/
inu-liger
May I offer a fair suggestion, Medusa? Please get a blog and condense your biopic/Queen related speculations there
tomchristie22
These are some pretty sizeable posts. What's more impressive is the fact that they're almost, if not entirely bullshit.
MEDUSA-RULES
[QUOTE] [b]inu-liger wrote:[/b]
May I offer a fair suggestion, Medusa? Please get a blog and condense your biopic/Queen related speculations there[/QUOTE]
Please stop spamming my thread with protests of its existence
AND PLEASE STOP POSTING DECIETS
I KNOW MY PRESENCE HERE GIVES YOU A THRILL, BUT CONTROL YOURSELF
May I offer a fair suggestion, Medusa? Please get a blog and condense your biopic/Queen related speculations there[/QUOTE]
Please stop spamming my thread with protests of its existence
AND PLEASE STOP POSTING DECIETS
I KNOW MY PRESENCE HERE GIVES YOU A THRILL, BUT CONTROL YOURSELF
MEDUSA-RULES
[QUOTE] [b]tomchristie22 wrote:[/b]
These are some pretty sizeable posts. What's more impressive is the fact that they're almost, if not entirely bullshit. [/QUOTE]
Please stop trolling my thread
These are some pretty sizeable posts. What's more impressive is the fact that they're almost, if not entirely bullshit. [/QUOTE]
Please stop trolling my thread