Great piano track, thank you very much....love it !
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Wonderful indeed.
Keep these coming! Really nice just to listen to, and also to better understand the piano parts which are sometimes hard to single out.
Really enjoyed that. Nice playing
Bohardy wrote:
Following on from the MOTBQ piano thread, here's my version of In The Lap Of The Gods, as promised.
Great version!
Can I ask you the piano transcription?also for the Black Queen if possible... ;)
Me too Bohardy ! Pretty please....
Here's when I originally did and posted the score back in 2004:
http://www.queenzone.com/forums/382719/in-the-lap-of-the-gods-piano-score.aspx
I mention again there the C minor section where it's impossible to hear exactly what's played. For this recording, I played something slightly different to what's on the score, and I'm confident my newer version is closer to what Fred plays.
I never transcribed the rest of the song, and don't have any plans to I'm afraid. It's the same case for MOTBQ unfortunately. Sorry.
http://www.queenzone.com/forums/382719/in-the-lap-of-the-gods-piano-score.aspx
I mention again there the C minor section where it's impossible to hear exactly what's played. For this recording, I played something slightly different to what's on the score, and I'm confident my newer version is closer to what Fred plays.
I never transcribed the rest of the song, and don't have any plans to I'm afraid. It's the same case for MOTBQ unfortunately. Sorry.
Oh, and thanks for the positive and kind comments folks. Much appreciated.
I think next up will be The Fairy Feller's Master Stroke.
I think next up will be The Fairy Feller's Master Stroke.
Bohardy wrote:
Oh, and thanks for the positive and kind comments folks. Much appreciated.
I think next up will be The Fairy Feller's Master Stroke.
Great. We're to a treat recently. Thank you^^
Just curious, did it lose a little bit of magic to you after you transcribed it, as some other member mentioned?
hobbit-in-Rhye wrote:
Bohardy wrote:
Oh, and thanks for the positive and kind comments folks. Much appreciated.
I think next up will be The Fairy Feller's Master Stroke.
Great. We're to a treat recently. Thank you^^
Just curious, did it lose a little bit of magic to you after you transcribed it, as some other member mentioned?
* Duplicate cock-up of an intended post. This board sucks. *
Ludwigs - awesome work from you, as ever. Shame the start's missing. Knowing what you can do, I very much look forward to hearing you revisit this. If it was that good then, it would be incredible now.
And yep, if you want to use my piano part, or whatever it is you're suggesting, I'm more than happy. Would be cool to collaborate in some way.
Hi Hobbit. The answer is, not really. It's true that there's a unique pleasure (or more accurately, a sense of excited anticipation) for me when I like a piece of music and I don't know (yet) exactly what is going on with it (actually, even if I don't like the piece of music), in terms of the harmonies, chords, or rhythms used. But it doesn't really happen that often for me with most music, as I can generally instantly work it out in my head.
The excited anticipation comes from the fact that I know I will unlock the mysteries of the music if I just sit down at the piano for 5 minutes. And that's a really fun experience for me. But it doesn't ruin the mystique. Generally the songs I need to figure out have so much depth to them that they can withstand any diminishment of mystique. And those that have less depth don't need to be figured out, so aren't altered either way.
I do sometimes long for the days when I was wowed and mystified by a chord progression that for me now seems wholly unexceptional. Often my mother will remark on some gorgeous chord in a piece of classical music, and I'll say "it's just a minor 9th" or "it's only a 13th chor" or something like that. But once upon a time, I was the same as her, being moved and awed by this exotic chord that I knew was something other than a standard triad, but I didn't know what.
Anyway, I'm not sure if that makes much sense, or if it's relevant. But hopefully it's answered your question!
And yep, if you want to use my piano part, or whatever it is you're suggesting, I'm more than happy. Would be cool to collaborate in some way.
hobbit-in-Rhye wrote:
Bohardy wrote:
Oh, and thanks for the positive and kind comments folks. Much appreciated.
I think next up will be The Fairy Feller's Master Stroke.
Great. We're to a treat recently. Thank you^^
Just curious, did it lose a little bit of magic to you after you transcribed it, as some other member mentioned?
Hi Hobbit. The answer is, not really. It's true that there's a unique pleasure (or more accurately, a sense of excited anticipation) for me when I like a piece of music and I don't know (yet) exactly what is going on with it (actually, even if I don't like the piece of music), in terms of the harmonies, chords, or rhythms used. But it doesn't really happen that often for me with most music, as I can generally instantly work it out in my head.
The excited anticipation comes from the fact that I know I will unlock the mysteries of the music if I just sit down at the piano for 5 minutes. And that's a really fun experience for me. But it doesn't ruin the mystique. Generally the songs I need to figure out have so much depth to them that they can withstand any diminishment of mystique. And those that have less depth don't need to be figured out, so aren't altered either way.
I do sometimes long for the days when I was wowed and mystified by a chord progression that for me now seems wholly unexceptional. Often my mother will remark on some gorgeous chord in a piece of classical music, and I'll say "it's just a minor 9th" or "it's only a 13th chor" or something like that. But once upon a time, I was the same as her, being moved and awed by this exotic chord that I knew was something other than a standard triad, but I didn't know what.
Anyway, I'm not sure if that makes much sense, or if it's relevant. But hopefully it's answered your question!
^That makes perfecly sense, thank you Bohardy^^
Often after I manage to sing a song, that song would lose a little bit of mystic to me. Glad that's not your case.
Often after I manage to sing a song, that song would lose a little bit of mystic to me. Glad that's not your case.
It's a bit like Keats telling Newton he was ruining the rainbow by unweaving it and Dawkins writing a book many many many years later making the case for the opposite: understanding how it works enhances your fascination for it, rather than diminishing it.
Bohardy thats awesome played. You are great.
Steinway&Sons + Freddie Mercury are so magical that he make his own tehnique and sound with his unique style while hand playing.Allways admire Freddies pianno style playing sou for me you got some balls play that song.
Great work..keep it up friend ;)
Steinway&Sons + Freddie Mercury are so magical that he make his own tehnique and sound with his unique style while hand playing.Allways admire Freddies pianno style playing sou for me you got some balls play that song.
Great work..keep it up friend ;)