thomasquinn 32989 wrote:
scottmax wrote:
So because they played their 70’s material, which is only 7 years previous, they became their own tribute band?
That statement absolutely baffles me....
I read it as "they played their '70s material *in such a way* that it sounded like they were a Queen-tribute band". And I tend to agree with that: most of the older material was played in a lazy and casual manner.
As a general rule I think the Magic Tour setlist gets a lot of unfair flack after the event, really only because we are so familiar with it and a bit blasé, following years of multiple releases and broadcasts of it. Broken down however, it is really a great set, and my own view is that the old stuff is performed really well.
There's a good measure of brand new material (which we now deem 'old hat') but not too much to bore the crowd: One Vision, A Kind of Magic, Who Wants to Live Forever, Friends Will Be Friends. About right for the album the tour was supporting.
There's the best of their previous album (The Works): Radio Ga Ga, I Want To Break Free, Hammer To Fall, non single track Tear It Up - and I'd say all sounding better than on The Works Tour.
There's some interesting takes on older material: In The Lap of the Gods Revisited with a fresh new guitar intro, a snippet of Liar before Tear It up, Tie Your Mother Down brought right forward in the setlist, Seven Seas of Rhye, Bo Rhap and WWRY/Champions all performed really well, and the surprise of the latter two being split with Friends Will Be Friends in between. Now I'm Here still in too.
Jazz through to Hot Space are perhaps under represented, with only Another One Bites The Dust and Under Pressure present...AOBTD given a harder edge and an elongated interactive crowd call and response interlude.
Covers: A surprise return to some of the rock n roll covers from their early years...not seen a few strung together like that for many years. Plus also retaining the 'Impromptu' section from The Works Tour.
Perhaps maybe one song each from AKOM and The Works could have given way to Somebody To Love, Killer Queen, Play The Game, Keep Yourself Alive or Save Me, but even then people would have complained that those tracks had pretty much ALWAYS been performed live so bringing in The Works tracks (which had all been hit singles) and the AKOM tracks from the current album are reasonable moves.
Perhaps the main issue is that Freddie is seen to be not as vocally good as before - however even then this is only on a few gigs, and is highlighted by the widely seen Wembley 2nd night) - overall, his performance on the Magic Tour compares very favourably against some previous tours where he lost his voice completely, though clearly not at his 82 peak.
Certainly the Magic Tour sound mix and balance of Spike's keys and other sounds was a massive improvement on The Works tour.
Sorry this seems like a bit of an essay, but thought perhaps stepping back and taking a fresh look at what we now deem to be a 'stale' tour because everything they have done since has been based on the same basic skeleton setlist, was a helpful exercise.
Cheers all.