brENsKi wrote:
GreatKingFairyFeller wrote:To be fair to Queen the album that is considered their worst was a huge influence on the best selling album in the world Thriller, so I can’t ever say it’s a bad album. I think it’s just not good for Queen standards and Queen audience’s.
Not so sure about that. Jackson was already well into the "funk" zone by 1979 with Off The Wall. Thriller is a natural sequel to Off The Wall, in the same way Queen's Races followed Opera.
Most of Thriller is a more polished remake of Off the Wall.
Dance tunes feel more complete and "in your face".
The album has the usual ballads; The Lady in My Life/The Girl Is Mine/Human Nature - to change the tempo.
The dancers Baby Be Mine/Billie Jean/PYT/Wanna Be Startin' Something really wouldn't be out of place on Off the Wall.
Human Nature being written by Steve Porcaro (TOTO) , PYT by James Ingram (prob based only on the song title because that undated MJJ demo is a slow ballad and in virtually no way associated with the PYT known)
wanna be starting something demo is supposedly from 1978.... so damn near all of this claim falls apart.
BILLIE JEAN was based almost directly (*down to the strings being a replacement for the keys) on HALL & OATES "I can't go for that".
So yeah. It's just revisionist talk from Brian trying to create a positive vibe to the album....although it's possible MJJ cared about them "taking a risk" and "crossing lines".
BEAT IT originated as a vocal demo by Michael (by himself : go look it up it's all there)
Bringing in a guest guitarist yo pad it out was intentional to sell the album across demographics.
But production wise, i can't help but think that the album direction was more influenced by EWF, KOOL & THE GANG and TOTO's polished stuff that they'd done since backing up BOZ SCAGGS STEELY DAN and QUINCY himself.
The comparison is absurd.
Queen had ZERO rhythm on that album (Hot Space) and everything on it never influenced anything else.
The closest they came to something new were BACK CHAT and COOL CAT.
the rest was contrapuntal mess on STAYING POWER (that screech twang guitar intended to inspire off kilter stuff when SPACE is the biggest element of funk)
And on the wannabe POGO-ING dance craze ACTION THIS DAY riffing.
They didn't invent shit in terms of sounds. And if you don't know any of the group's listed above or even Roy Ayers or George Duke then you're pretty limited in your rationale that hot space "brought FUNK (*arguably an invention from Sly Stone/James Brown/George Clinton&Parliament - TWO DECADES PRIOR! ) to the white masses is beyond absurd.
Go listen to some stuff from the 70's. It was pretty deep.