Queen crest Queenzone

How did Freddie arrange the harmonies?

5 posts
Thread

Posts in chronological order

· Member since
Hi, I'm just interested to know what method Fred used when it came to arranging his harmonies?

Hope you've got some answers
Marc
You done too much much too young You're married with a kid when you could be having fun with me
· Member since
Lots of coke as somebody said last time it was asked :)

Now, seriously, I don't know. For Bo Rhap he wrote all the notes in a phonebook, but it doesn't mean he did it with all the songs
John hated Hot Space. Frederick's favourite singer was not Paul Rodgers. Roger didn't compose 'Innuendo.' 'Bohemian Rhapsody' hasn't got 180 vocal overdubs.
· Member since
Maybe trying out what sounds good?
"On the first day Pim & Niek created a heavenly occupation. Pim & Niek blessed it and named it 'Loosch'." (Genesis 1:1)
· Member since
Kenny Everett asked Freddie about this:

http://members.cox.net/deaconfan/harmonies.wav
· Member since
Something notable on Freddie is that he had a thing for counterpoints between the bass voice and "the rest". Note in Bo Rhap Opera section or Somebody To Love, the bottomline follows a different "curve" than the rest, which are parallel between them.

That's not only related to voices. In his orchestral arrangements Freddie used to put the double bass in a kind of counterpoint with the rest (violins, violas, cello). Note the amazing double bass parts he wrote in 'Was It All Worth It', 'Innuendo', 'A Winter's Tale', 'Don't Try So Hard'...