Scott_Mercury wrote:
Arlene-
You do understand that music is music.
Freddie doesn't have to formulate a different "theory" for approaching the guitar then he did the piano.
Its this simple.... All of the music that is in Freddie's head simply flows out of him on the piano....it is an absolute struggle for him to play it on guitar.
I am the opposite... I am to a level where I can whip out 6 string Malmsteen sweeps on guitar without even thinking about it.... but, for example, if I try that level of technique on piano...I would fumble, and trip... whereas Freddie, and certainly someone like Liberace would played 26 notes before I pull up the bench.
By the way, Liberace was hardly touched by anyone on piano from a technical standpoint....he was so good, that in fact, Elton nor Freddie, for example would NOT be in Liberace's league "technically".
But then again.... how many smash hits did Lee (Liberace) write??
So technical brillance doesn't always mean smash hits.
Take my word on this.... Brian May is a great player, but more importantly, Brian May is a good teacher...(I know his guitar instructional videos note for note)....
And to be quite to the point... Freddie and Roger both should have been better guitar players JUST FROM BEING AROUND BRIAN.
Brian is a very patient person, super intelligent, and he explains himself quite well... had Fred or Roger taken the time to learn guitar from him....they would be much better.
My first guitar teacher was a young blues musician who was on the road opening for Stevie Ray Vaughan from 1981-1983, up until SRV played on Bowie's "Lets Dance".
This guy was an amazing guitarist just from being around SRV... and many of his students (including me) have went on to very nice, well paying career's in the music business.
Anyone people who spend 100 hrs a week with Brian May... are only "poor guitarist" by choice, not because the knowledge isn't avalible.
Does that make sense?
If you use that theory, then Roger and Brian should have had better vocal range, ability, been able to train their voice to hit certain and more octaves, phrasing, been able to sing within the idioms of opera, gospel, soul, etc. BY OBSERVING AND BEING AROUND FREDDIE, AND THUS, SING AS WELL AS FREDDIE.
Scott give it a rest. Really. And stop constantly crowing about how great your own playing is...compared to Freddie's. By your own posts...on this topic..and on the Topic of Freddie's piano playing versus Brian's...can you write the hit songs Freddie did...on guitar?
Can you at least conceptualize the great songs Freddie wrote and arranged...on guitar...Even if he could not fully play what he wrote as "a master" and then Freddie would have to show how he wanted something played on guitar to Brian, but Freddie would still...write the song?
Again...you totally intentionally blow out of proportion what I say. In no way am I inferring that Freddie is a Clapton or Hendrix, or Brian on guitar.
But you are going OUT OF YOUR WAY to portray Freddie as some imbicile who could barely play Three Blind Mice on a guitar like some 1st grade school child.
He was NOT inept...just not a great "virtuoso" as we all discussed in the "Piano" topic". But he wrote, arranged great music...on guitar...
By the way I hate Malmsteen and he's a lousy analogy because he's considered to be one of modern music's and guitar players' all time shred "hacks" down there with such hacks as
C.C. DeVille and you couldn't pay me to see Malmsteen or listen to him (and yes I have heard Malmsteen's stuff...unfortunately for me!)
Something else, thanks for bringing Malmsteen up. You just opend a can of worms, pandoras box. Malmsteen, C.C. DeVille, Erik Turner from "Warrant", Frank Morgan from Tesla all the guitar players from the God Awful 80's hair & speed metal days