[QUOTE][QUOTENAME]<fontcolor=(pink)>Poppy2415</fontcolor=(pink)> wrote: [/QUOTENAME][QUOTE][QUOTENAME]STELIOS wrote: [/QUOTENAME]1. Lower the chorus of TSMGoOn, about 4 keys. I hate the way he screams on it.
2.Remove the scary/epic keyboards begining on the same song.
3.Remove the opera part of BORAP, and place a synth -solo intead.
4.Erase the guitar solo from TATDOULives, and place a bit of rap from Vanila -Ice.
5.Make scandal a balad with an acoustic guitar and Brian on Vocals.Perhaps some maracas would be nice on this one.
6.Make Innundo less epic, shorter, more pop-based and give it a reggae feeling on the beat.
7.Make those wondefull cats 'meaaaaws"of Delilah a basic theme for all the Innuendo album.Bits of 'meaaaaws'in every song when you list expect it.
( for exaple...instead of "I still love you" , in the ending of TATDOULives, Freddie giving a high piched long lasting meaaaaaw, like a freaking cat...a bliss!)
8.Make Freddie straight. Make him a REAL MAN.[/QUOTE]
Lol! please tell me that's a joke![/QUOTE]
LOL, Well if I could I would also make Freddie straifht but just because I am a woman. :)
No, seriously, I would shorten some of Brian's solos, find them too long or inapropiate sometimes on some of the 70s songs, but maybe I wouldn't because Brian's sound is one of the trade marks that make a Queen song.
I would make Scandal a little heavier.And Body language more of a sexy trio between Freddie, Bri and Rog. (musically speaking, of course)
Oh, and I would add more "shes" and "hers" to Freddie's lyrics...almost disappear from the early eighties on...., he just says baby, wonder why?;)
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[QUOTE][QUOTENAME]<b>Demitrius Barker</b> wrote: [/QUOTENAME]I want the song "Staying Power" to be longer.[/QUOTE]
Okay...that cracked me up.
Okay...that cracked me up.
I wish "Is this the World We Created" were longer somehow...either with a bridge, or a verse of just guitar solo, or an extra verse of text.
And "Love of My Life" - I'd like an acoustic guitar version, in that lower key, but not a live peformance; studio, just Freddie and Brian.
<<<dodges tomatoes>>
And "Love of My Life" - I'd like an acoustic guitar version, in that lower key, but not a live peformance; studio, just Freddie and Brian.
<<<dodges tomatoes>>
Drastically cut in the multitracksection of The Prophet´s Song
Come up with a better chorus for Sweet Lady
Enhance Don´t stop me now with a screaming and roaring Red Special
Come up with a better chorus for Sweet Lady
Enhance Don´t stop me now with a screaming and roaring Red Special
Put Human Body on the game, instead of Coming Soon.
Replace the synth-sax in Action This Day with a rip-roaring guitar solo.
Speaking of rip-roaring, let the ending of Man Of Prowl fade away, instead of being cut.
Replace the sax solo in One Year Of Love with a piano solo, or a guitar solo.
Put I Go Crazy on The Works album.
Put less synthesizer and gimmicks on the Made In Heaven album. It's overproduced!
Remove the ending of You Take My Breath Away.
Put Silver Salmon on Queen I, instead of Jesus, OR used the De Lane Lea take of Jesus.
Change the order of tracks on The Miracle. Don't start with Party, but with something more catchy, perhaps Breakthru.
Change the production on "Don't Lose Your Head". Make it less synthy, and more a rock tune.
Remove those "spacey" horns from Staying Power, and add real basslines instead of synths (this goes for some other tracks on Hot Space too).
Increase the mixing volume of Under Pressure. It's too soft when compared to the rest of the tracks on Hot Space, which makes it sound like it doesn't belong on the album.
Less synths on I Can't Live With You, and more guitars!
Replace the synth-sax in Action This Day with a rip-roaring guitar solo.
Speaking of rip-roaring, let the ending of Man Of Prowl fade away, instead of being cut.
Replace the sax solo in One Year Of Love with a piano solo, or a guitar solo.
Put I Go Crazy on The Works album.
Put less synthesizer and gimmicks on the Made In Heaven album. It's overproduced!
Remove the ending of You Take My Breath Away.
Put Silver Salmon on Queen I, instead of Jesus, OR used the De Lane Lea take of Jesus.
Change the order of tracks on The Miracle. Don't start with Party, but with something more catchy, perhaps Breakthru.
Change the production on "Don't Lose Your Head". Make it less synthy, and more a rock tune.
Remove those "spacey" horns from Staying Power, and add real basslines instead of synths (this goes for some other tracks on Hot Space too).
Increase the mixing volume of Under Pressure. It's too soft when compared to the rest of the tracks on Hot Space, which makes it sound like it doesn't belong on the album.
Less synths on I Can't Live With You, and more guitars!
[QUOTE][QUOTENAME]Champipple wrote: [/QUOTENAME]Id' move White Queen onto side Black...
[/QUOTE]
That's just wrong. White Queen cannot be on the black side, that just kind of destroys the whole point, doesn't it? ;)
[/QUOTE]
That's just wrong. White Queen cannot be on the black side, that just kind of destroys the whole point, doesn't it? ;)
[QUOTE][QUOTENAME]<font color=red>Flash! wrote: [/QUOTENAME]yeh, Brians 'Brighton rock' solo was fab but it could of easily sent some of the audience to sleep...[/QUOTE]
That's because Brian has a soft voice,a bit different from Freddie in many songs;)
Hello from Rai:{)
That's because Brian has a soft voice,a bit different from Freddie in many songs;)
Hello from Rai:{)
[QUOTE][QUOTENAME]<font color=red>Flash! wrote: [/QUOTENAME]yeh, Brians 'Brighton rock' solo was fab but it could of easily sent some of the audience to sleep...[/QUOTE]
[QUOTE][QUOTENAME]KensingtonLove (Dharankanawala) wrote: [/QUOTENAME]That's because Brian has a soft voice,a bit different from Freddie in many songs;) [/QUOTE]
What's Brian's voice got to do with his Brighton Rock guitar solo?
[QUOTE][QUOTENAME]KensingtonLove (Dharankanawala) wrote: [/QUOTENAME]That's because Brian has a soft voice,a bit different from Freddie in many songs;) [/QUOTE]
What's Brian's voice got to do with his Brighton Rock guitar solo?
1. The abrupt ending on the studio version of Sheer Heart Attack with the ending from Live Killers. Ditto for Man On The Prowl, which I'd then remove from Works and substitute it with I Go Crazy.
2. Totally remove the synthesizers from I Want It All (e.g. chorus). Sounds like mid-80s hair metal synthesizers...
3. The ending of '39 (after the last verse, where it suddenly turns to stereo from mono) to stereo all the way.
4. I'd add real piano (not synths) and real strings to TMLWKY and a number of other songs.
That's all that springs to mind for now.
2. Totally remove the synthesizers from I Want It All (e.g. chorus). Sounds like mid-80s hair metal synthesizers...
3. The ending of '39 (after the last verse, where it suddenly turns to stereo from mono) to stereo all the way.
4. I'd add real piano (not synths) and real strings to TMLWKY and a number of other songs.
That's all that springs to mind for now.