I've noticed that on the end of 'The Show Must Go On' that if you turn the volume right up at the end the 'Go on's' change slightly. I don't know how to describe it but if you do it you'll know what I mean.
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[QUOTE][QUOTENAME]Bijou In Queens Crown wrote: [/QUOTENAME]I've noticed that on the end of 'The Show Must Go On' that if you turn the volume right up at the end the 'Go on's' change slightly. I don't know how to describe it but if you do it you'll know what I mean.[/QUOTE]
Yeah they start to sound like they're sung through a tunnel or something. I know what you mean.
If you turn up Teo Torriatte near the end you can hear the outro actually ending rather than just fading.
Yeah they start to sound like they're sung through a tunnel or something. I know what you mean.
If you turn up Teo Torriatte near the end you can hear the outro actually ending rather than just fading.
[QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME][QUOTE][QUOTENAME]Sir GH<br><h6>ah yeah</h6> wrote: [/QUOTENAME][QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME]One of the best stories i heard about hidden tracks was on a Beatles LP. Well, it wasn´t hidden but only dogs could hear it![/QUOTE]
I once heard about this too, but I forget which album it was. Can you refresh my memory?
[/QUOTE]
This is some trivia that i found on the internet about it:
The Beatles were responsible for what may be the first "hidden track" (although it may not be considered a full track) on the 1967 album Sgt. Pepper's Lonely Hearts Club Band: a collection of sounds were inserted at the end of the LP, including some in the run-off groove. After the final chord of "A Day In The Life" dies out, there follows an extremely high-pitched sound, apparently intended to annoy the listener's dog. This is followed by an odd collection of Beatle nonsense chatter in the run-off groove, forming a continuous loop which would go on infinitely if the album was left alone on records players which do not include an auto-return arm. This was recreated on the Sgt. Pepper's Lonely Hearts Club Band CD version (which fades out after a few seconds) and is not a separate track but part of "A Day in the Life".
Take care[/QUOTE]
Actually, there's a hidden track proper on The White Album, which comes between... er, I can't remember what songs... it might be right before Revolution 9, but the song is called Can You Take Me Back and is performed entirely by Paul.
I once heard about this too, but I forget which album it was. Can you refresh my memory?
[/QUOTE]
This is some trivia that i found on the internet about it:
The Beatles were responsible for what may be the first "hidden track" (although it may not be considered a full track) on the 1967 album Sgt. Pepper's Lonely Hearts Club Band: a collection of sounds were inserted at the end of the LP, including some in the run-off groove. After the final chord of "A Day In The Life" dies out, there follows an extremely high-pitched sound, apparently intended to annoy the listener's dog. This is followed by an odd collection of Beatle nonsense chatter in the run-off groove, forming a continuous loop which would go on infinitely if the album was left alone on records players which do not include an auto-return arm. This was recreated on the Sgt. Pepper's Lonely Hearts Club Band CD version (which fades out after a few seconds) and is not a separate track but part of "A Day in the Life".
Take care[/QUOTE]
Actually, there's a hidden track proper on The White Album, which comes between... er, I can't remember what songs... it might be right before Revolution 9, but the song is called Can You Take Me Back and is performed entirely by Paul.
[QUOTE][QUOTENAME]azzadude wrote: [/QUOTENAME]It was at the end of "day in the life"... And it only works on vynle to my knowledge as i have tried it on the cd and my dog just look's at me as if to say,,, "what the fuk are doing, put this shit of and take me for a walk" [/QUOTE]
Hahahaha!! Nice.
[QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME]The Beatles were responsible for what may be the first "hidden track" (although it may not be considered a full track) on the 1967 album Sgt. Pepper's Lonely Hearts Club Band: a collection of sounds were inserted at the end of the LP, including some in the run-off groove. After the final chord of "A Day In The Life" dies out, there follows an extremely high-pitched sound, apparently intended to annoy the listener's dog. This is followed by an odd collection of Beatle nonsense chatter in the run-off groove, forming a continuous loop which would go on infinitely if the album was left alone on records players which do not include an auto-return arm. This was recreated on the Sgt. Pepper's Lonely Hearts Club Band CD version (which fades out after a few seconds) and is not a separate track but part of "A Day in the Life".[/QUOTE]
Awesome. Thanks for that!
Hahahaha!! Nice.
[QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME]The Beatles were responsible for what may be the first "hidden track" (although it may not be considered a full track) on the 1967 album Sgt. Pepper's Lonely Hearts Club Band: a collection of sounds were inserted at the end of the LP, including some in the run-off groove. After the final chord of "A Day In The Life" dies out, there follows an extremely high-pitched sound, apparently intended to annoy the listener's dog. This is followed by an odd collection of Beatle nonsense chatter in the run-off groove, forming a continuous loop which would go on infinitely if the album was left alone on records players which do not include an auto-return arm. This was recreated on the Sgt. Pepper's Lonely Hearts Club Band CD version (which fades out after a few seconds) and is not a separate track but part of "A Day in the Life".[/QUOTE]
Awesome. Thanks for that!
I remember now...I had it on my CD of Sgt Pepper. There was a longer beep and then a mess of voices going like "Never could be any other one." and something like it looped over and over. Weird thing...
Jan
Jan