pittrek wrote:
Why ?
Because a re-transfer with fancy equipment would be a bit sharper and cleaner, and might recover more of the colour. I may seems slightly obsessed with the recovery of the best possible version of the SSOR video, I am aware that the world probably doesn't revolve around this, but it would be nice.
My plan is to manually tidy up the bit with flickery colour so that the first half of the song is black & white and the second is in steady colour. I've tried this before with other videos and it works quite well. Obviously it would be nice to start with the best transfer of the source material possible, but I apologise if I'm being slightly unreasonable.
pittrek wrote:
BTW I have an idea. When I was doing my Star Wars restoration project I have found a great AviSynth plugin which can read color information from one clip and write them into an other clip. Maybe it's worth trying it
Thanks, I'm planning on doing something similar with a filter that gives you the Y(b/w) U and V (colour) signals side by side in one wide video, so it's easy to manipulate them individually and copy missing colour from adjacent frames.
Relatedly, does Rien or anyone have the file he uploaded here of the transfer from the tape, the one that got uploaded to YouTube?
EDIT: Rather off-topic, but that Star Wars restoration project sounds rather interesting, what was that about?