Innuendo, Headlong, The Show Must Go On, I'm Going Slightly Mad, These Are the Days of Our Lives, Hitman, Bijou, Ride the Wild Wind, Don't Try So Hard, All God's People, I Can't Live With You, Lost Opportunity...Delilah.
More bass! More bass please!
brENsKi · Member since
i think the innuendo album is essentially - musically - a return to form, that is fraught with piss-poor production throughout
and some shit mixing...it really could've sounded better
many people (on here) slag off the production/mixing on Jazz, but by comparison
Jazz sounds much better on the ear
and it's a pity really, cos as i said, there's some great songs on Innuendo - bursting to break out
Wiley · Member since
[QUOTE] [b]brENsKi wrote:[/b]
i think the innuendo album is essentially - musically - a return to form, that is fraught with piss-poor production throughout
and some shit mixing...it really could've sounded better
many people (on here) slag off the production/mixing on Jazz, but by comparison
Jazz sounds much better on the ear
and it's a pity really, cos as i said, there's some great songs on Innuendo - bursting to break out[/QUOTE]
I agree. Sometimes it seems to me like the worlds greatest rock band is playing awesome music in a room across the hall... and it's great, and we wish we were there to hear it properly, except we're not.
Martin Packer · Member since
Context is everything here: When playing to the context (as in TSMGO) it's brilliant. When not it's not so much. When a song accidentally half captures the context (thinking TATDOOL) it's a little jarring. Personally I don't blame Digital - as this WASN'T the first album done that way - for this not being a joyful album.
Funnily enough I didn't like The Miracle when it came out: I've come to appreciate it over time, though. Having a hard time doing the same thing with Innuendo - because the context of Freddie's disease and imminent death overwhelms it.
