The Prophet's Song is fantastic and is many ways superior to Bo Rhap, albeit a little less melodic.
I'm sure Brian put much, much more effort into Good Company than The Prophet's Song.
I love The Prophet's Song. Freddie's vocal performance is absolutely incredible, the vocal harmonies are sublime (not that we'd expect any less from mid-1970s Queen), and the guitar work in the instrumental section after the vocal canon is quite nice, too. Brian makes a great progression out of the whole piece, which is driven home by the shift from 'Oh-ohs' to 'Ah-ahs' in the chorus (I'm an absolute sucker for that sort of thing - it's put to beautiful use on the single and 'Naked' versions of Let It Be, with Paul, George, and Linda singing the chorus backing vocals).
I don't love the middle section, but I don't think it detracts from the song, either - if anything, the return to full band is more impacting because of the break.
It's a shame it translated into such a lackluster live song. If Freddie had played the piano for it, a la White Queen, it probably would have helped a lot. Add Roger singing alongside Freddie for the ascending pre-chorus and harmonising with Freddie while hitting the top notes, and better arrangement/delivery of the vocal harmonies, and they would've had something pretty nice.
I love both Bo Rhap and Prophet's Song - the former moreso. The vocal canon puts me in two minds. If I'm in a certain mood, I can adore the prog-rock nature of that middle section, but it can bother me slightly at other times. That having been said, everyone knows how much that the band were for having as a single before Freddie came up with Bo Rhap. I think if a smooth edit had been made, it would've made a good third single from A Night At The Opera. Freddie is quoted as having said about how Now I'm Here was a total contrast to its predecessor Killer Queen, and I think the same formula would've been perfect for Prophet's Song, following YMBF and all.
..............right, im just off to the national gallery with me paints.
I'm in amazement at the bashing The Prophet's Song is getting here..at least the middle section. Who the hell cares if it's not for the regular guy on the street? Since when do Queen fans suddenly want everything to be a track on Greatest Hits? Next we'll be hearing that March Of The Black Queen is too long or too weird and never would have made it as a single. Thank god!! They're album tracks and show off the genius of this band. The middle section of The Prophet's Song is just that - sheer genius...it's incredible! It's a tour de force of vocal orchestration and studio wizardy done forty years ago...imho it's mind-blowing. And why compare the two songs? Each is unique in it's own way..Bo Rhap will likely never be bettered...but P.S. has so much amazing stuff that's all it's own...it's powerful, deep music...good lord, cutting out the middle part? Are you Queen fans or not!??