Holly2003 wrote:
Tommy Emmanuel is amazing.
https://www.youtube.com/watch?v=s78WCIJD734
In this video Josh Smith shreds the way Imagine I want to play in my head but I don't have the chops to put that into practice. I can't warm to Bonamassa. His playing lacks emotion and soul.
Try Bonamassa's stuff with Beth Hart - this clip doesn't come near to showcasing him at his best.
All three of those players are marvellous in their own ways, but even while having fun in a foreign environment with a Tele instead of his trusty acoustic, Tommy is just from another universe.
Tommy, Chet Atkins, and Steve Howe are at the top of the heap, as their vocabulary of jazz, classical, Spanish, ragtime, and country - combined with their sense of expression - are simply unparalleled.
Ultimately it isn't a contest, as everyone brings something different to the table. But of all these guys, Tommy's mastery of the instrument combined with his warm and charming character almost certainly earns him the distinction of being the finest player alive.
This video of him playing his arrangement of Somewhere Over The Rainbow for a mesmerized Les Paul - a peer in that exclusive club of mastery and innovation - sheds any doubt in case there was any:
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May's massive leaps forward in the world of orchestration have earned him all the accolades he has received, and he's ultimately up there with Hendrix, Page, Beck, Zappa, etc. But once Tommy Emmanuel enters the discussion along with cats like Segovia, Django, Paco de Lucia, Julian Bream, Lenny Breau, or Michael Hedges, then suddenly most of the rock players are left at the gate. But Brian is one of the few exceptions, because he's so much more than a rock player - he's a composer first, and nobody has come close to building on his advancements since. He's carved his own real estate, and it's nice to see him finally get some proper recognition for it.