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i don't think they're gonna realise the 100 best queen concert to download because it would take a lot of time to edit the recordings and i don't think they'd do it for free downloads.for sure the 'new' recordingds would sound better than the current bootlegs but i don't think that they put them online without working on them and for free
it wouldn't be innovative... Dream Theater released so called "ORIGINAL BOOTLEGS"- you pay $10 or sth and you get live recording, with nice P/S and everything... I wouldn't mind this happening...

It would be interesting, though, if they really DID relese soundboards, unedited, not mixed- just recordings... Tackling bootlegers- fine, great... BUT: imagine also all those "established" traders, "elite", who're "showing off" with XXX show from 1st generation tape (or soundboard) and do everything for it not to spread... Queen releasing it in soundboard (or even exactly THIS bootleg) of this aprticular XXX show would surely piss some ppl off...
http://www.queenzone.com/queenzone/forumnew/forum_topic_view.aspx?Q=696327 Wanna trade? Here's my list...
Fenderek, this is slightly incorrect. People are keeping rare recordings to be able to trade them for other rare recordings. If all live recordings are released by Queen in some form, there's nothing rare left and everybody gets whatever he wants. That would be a paradise for everybody, no matter if he's a newbie or an experienced trader.
http://www.QueenConcerts.com
Maybe they do it in a similart way to the Pearl Jam shows a couple of years ago?

Just soundboard recordings, nothing more, nothing less. Unfortunately Pearl Jam charged some 20 euro's for a double CD. So that would come down to lets say 2000 euro's. Maybe if you buy 25, you get one for free. Allthough....it still is Queen Productions..... So, start saving allready
Mr. Scully wrote:
Fenderek, this is slightly incorrect. People are keeping rare recordings to be able to trade them for other rare recordings.
I know that- that's obvious, but...
Mr. Scully wrote:
If all live recordings are released by Queen in some form, there's nothing rare left and everybody gets whatever he wants. That would be a paradise for everybody, no matter if he's a newbie or an experienced trader.
...but what wrong would it be with this situation...? I do understand that no-one is going to trade full Houston'77 video for audio of Hammersmith'75- fine, no probs :) BUT- it does seem that SOME recordings are absolutely unobtainable, that maybe other fans would also love to see full Houston... Some ppl were lucky to obtain certain shows and... It's no tabout having them all- I can live without ever hearing som etotally obscure recording that is high on the established collectors list- I really can live with that... But when it gets to sth like Houston... I don;t know- just seems like that certain recordings or even information (sic!!!!) is strictly guarded, which I'm actually against...
And it wouldn't be totally paradise for everyone anyway, 'cause those things wouldn't be for free, would they? It would be perfectly soimple than- when someone is downloading it fromn som eother source- that's theft, you can get it officially... There are drawbacks- I can see it, but this would make a lot good as well....
http://www.queenzone.com/queenzone/forumnew/forum_topic_view.aspx?Q=696327 Wanna trade? Here's my list...
I don't understand why bootleggers have such a bad name here. Bootleggers record live shows and without their effort we would not have anything to share or trade. They should not be mixed up with sellers of bootlegs who never recorded something themselves but only make a profit from selling the recordings. Of course, bootlegging is illegal but I don't hear any outcries about the sharing of bootlegs in the hub and on the QZ BitTorrent project here. We all want as much material of our favourite band as possible, so there is no reason to regard bootlegging itself as something despicable. That's the position of the record industry.

Now the evil elite traders. Traders are collectors who do not (routinely) share their material for free. Some share some recordings on sharingthegroove, the hub or elsewhere. In the hub, for example, nobody has a problem with traders, they are members as anyone else. When a trader does not share a recording for free or does not swap it for a very common recording, this can be annoying for the fan who wants the recording very badly but no fan has a right to get everything he wants from another fan. Personally, I endorse sharing but I don't blame people who prefer not to share but want something in return. I would not ask my real life friends to give me whatever I like from their personal possession, either.
I do not want any google ads here.
to the queen collectors:what do you think about the value of your silver rare live stuff if queen realise their live concerts officially?i think that you (like me) have spent a lot of time and money to search for and buy bootlegs and rare live stuff so if queen realise their live shows officially your collection value will be totally lost.i think that collectionism is a game that will lose its fun when queen realise their live shows because there will be a little rare stuff that will be unavalible to all the fans about and because a lot of people will rip-off their collection that will lost its value for sure.
I'm very unhappy when i think to my collection after the legal downloading of the concerts because i worked hard to find all its items(silver bootelgs and cds and internet stuff) and now a lot of non-fans people can buy the same stuff that i have and bring down my collection
IMO this is great, because the concerts will be available for everyone. Every Queen fan should have acces to the shows, not a small group. I hope downloadable files will be either in MP3 360kB/s or FLAC.

Does anybody btw know which shows are on the '100 greatest bootleg' list?

Hammersmith 75,79, Earls Court 77, Rainbow 74, Houston 77, Tokyo 82,85, Zoom?

I don't think Budapest 86 since Brian said it will be a DVD release.
[ Ahoy' Rotterdam, April 26th ]|[ Rhein Energie Stadion Köln, Juli 6th ]|[ Gelredome Arnhem, July 10th ]
i think that the small group who has rare stuff are fans that don't want that their collection lost its value because a lot of people that like queen but ther AREN'T fans can buy the same stuff. sincerely i'm agree with the small group of poeple that are against the official download or realise of the queen concerts
"Every Queen fan should have acces to the shows, not a small group"

Everybody already HAS access to everything. The only "problem" is that some items require more effort which for some people is "too much work".

I can't think of any item that would be 100% impossible to get. There are a few items that have restrictions placed on them (unfortunately) - as a result of that I can't trade two or three audio recordings and maybe one or two videos. There are some items that I'm unable to get because I can't offer anything rare in exchange. So what... it's less than 1% of what's widely available. It's not a matter of life or death.
http://www.QueenConcerts.com
Andrew, I don't understand your point of view. In which way is your collection worth any less when other fans own the same recordings? You don't collect original paintings or rare coin, you collect recordings which are easily copied by the thousands. There is nothing unique in your collection unless you are the only one who recorded a specific concert and never copied your recording. Anything else is not unique or original.

If all concerts were downloadable from QOL, this would be a great opportunity. It's only the quality/price issue that is still very unclear.
I do not want any google ads here.
andrew wrote:
i think that the small group who has rare stuff are fans that don't want that their collection lost its value because a lot of people that like queen but ther AREN'T fans can buy the same stuff.
Right- I was collecting vinyls for five years; going with your logic- I'm not fan, I just like Queen... Just because I don't have boots, right? Man- I paid massive amount of money for 7", 12" and some promos- reall ya lot; I would love to have acces to boots as well- be able to obtain them, why not buy them; why the hell not? If they'll release the stuff I'll be happiest man on earth- and what value are you talking about? are you selling them or sth? You can talk about value when you collect vinyls or stamps or anything, but with boots...? I'm trying to get some bootlegs to be a ble to listen to this music- that's the fucking value of it...

andrew wrote:
sincerely i'm agree with the small group of poeple that are against the official download or realise of the queen concerts
So torrent project has to be sth you're really against, isn't it? You see, Martin- this guy's comment is exactly the reason why I would love to see some faces if those gigs are actually really released... .
http://www.queenzone.com/queenzone/forumnew/forum_topic_view.aspx?Q=696327 Wanna trade? Here's my list...
Just a thought - but exactly HOW will Queen make a lot of money from this?

Once a concert has been digitally copied once - it can also be re-copied.

Therefore, I need only purchase one or two concerts, then, start trading for copies of those concerts I don't!

Pretty soon, everyone will be back at square one, freely sharing new versions of previously available concerts.

t'is strange, t'is strange!
"Listen to them. Children of the night. What music they make."
Yes, John, but wouldn't that same argument apply to normal Queen CDs? Handling distribution through the website will cut out some costs.

The fact is people will buy it because it is from Queen and not some bootlegger. GH3 proved that mentality.

Only problem I see is that some collectors will have little incentive to buy these recordings if they are in inferior quality or mp3/wma.
DJ's the man we love the most
Check out www.livemetallica.com

They are offering all the shows on the recent tour in both mp3 and flac quality, mixed and mastered straight from the soundboards and are ready for download within 2 or 3 days. All Queen need to do is go back to the original soundboard recordings they have for each show, and replace the audience recording bootlegs that exist in that form.