First, I meant that reading into certain statements caused the Brian-bashing threads, not you.
Everything you said makes sense, but expecting Brian to rave about Freddie all of the time is a bit much.
Doesn't it make sense that he would be more excited about discussing his own contributions since, if for no other reason, he is more knowledgable about them?
I've read/heard that George Harrison didn't really like talking about The Beatles, but as soon as the conversation shifted to his solo stuff, he would light up and be chatty.
Imagine if everyone kept telling you that the best thing you've ever done happened 30 years ago.
Even if Brian is "downplaying Freddie's contributions" like you (and others) claim, I tend to think it's because there really isn't that much for him to say on the subject so he tries to shift the conversation to something he can contribute to - what he did in Queen.
Thread
Posts in chronological order
Correct me if i´m wrong, i´m writing from memory:
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
And don´t forget the amount of work that was put on "TSMGO" by Brian. In the final days they were a GROUP, and in those situations (Freddie´s illness) it´s difficult to bring something good out of you! Even though Freddie and Brian and Roger were the most creatives ones, it´s unfair for example to put down John Deacon, because John basslines were what gave the extra flavour on "IGSM" "TATDOOL" and "AGP".
The reason why Brian says that Freddie wanted them to write anything so he could sing, was for people outside to know that freddie knew the time was coming, and he could no longer concentrate on writing anymore. He was too weak!
Take care
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
And don´t forget the amount of work that was put on "TSMGO" by Brian. In the final days they were a GROUP, and in those situations (Freddie´s illness) it´s difficult to bring something good out of you! Even though Freddie and Brian and Roger were the most creatives ones, it´s unfair for example to put down John Deacon, because John basslines were what gave the extra flavour on "IGSM" "TATDOOL" and "AGP".
The reason why Brian says that Freddie wanted them to write anything so he could sing, was for people outside to know that freddie knew the time was coming, and he could no longer concentrate on writing anymore. He was too weak!
Take care
[QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME]
Correct me if i´m wrong, i´m writing from memory:
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
Take care[/QUOTE]
It's interesting thatJohn Deacon's smaller song writing role and Freddie's larger writing role co-incided with a return to form for Queen. AS far as I'm aware, Fred wrote Innuendo too, with Roger contributing lyrics.
Correct me if i´m wrong, i´m writing from memory:
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
Take care[/QUOTE]
It's interesting thatJohn Deacon's smaller song writing role and Freddie's larger writing role co-incided with a return to form for Queen. AS far as I'm aware, Fred wrote Innuendo too, with Roger contributing lyrics.
[QUOTE][QUOTENAME]Bobby_brown wrote: [/QUOTENAME]
Correct me if i´m wrong, i´m writing from memory:
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
Even though Freddie and Brian and Roger were the most creatives ones, it´s unfair for example to put down John Deacon, because John basslines were what gave the extra flavour on "IGSM" "TATDOOL" and "AGP".
[/QUOTE]
Innuendo is 95% Freddie's, with some last minute ideas on lyrics from Roger. Roger told MODERN DRUMMER magazine in a 1991 interview that "the first single off the new album is Freddie's, and we have invited Steve Howe to play a classical piece in the middle."
It should be noted that Steve Howe's complete solo in the middle of Innuendo was written by Freddie.....Steve tabbed it out for himself on guitar, Steve Howe told GFTPM magazine in 1998 what it was like to work with Queen 7 years earlier, he said "Freddie was the consumate professional, when I came in, he showed me note for note what he wanted played, and jokingly said, don't screw this up dear, I'll never forgive you."
So...
Innuendo = Freddie
Don't try so hard = All Freddie (this John helped rumor was laid to rest by the engineer in the studio)
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.
I agree with the other listings you have, and these are supported by Sebastian as well.
To call John not as creative as the others is a misguided statement. John simply had a different writing approach.
Whereas Fred & Brian cranked out material at a fast rate, some brilliant, some just ok.... John was more calculated and thoughtful with his thoughts, and shy about presenting them to the group.
When John did speak up though....
He brought us:
Spread Your Wings
Your My Best Friend
Another One Bites The Dust
I want To break free
You and I
In Only Seven Days
Need Your Loving Tonight
Backchat
All some of the core Queen fanbase favorite songs.
Correct me if i´m wrong, i´m writing from memory:
Innuendo- RT
I´M going Slightly Mad- FM
Headlong- BM
I Can´t Live With You- BM
Don´t Try So Hard- JD & FM
Ride The Wild Wind- RT
These Are The Days of Our Lives- RT
Delilah- FM
All Gods People- FM
Bijou- FM
Hitman- BM
The Show Must Go On- BM
Even though Freddie and Brian and Roger were the most creatives ones, it´s unfair for example to put down John Deacon, because John basslines were what gave the extra flavour on "IGSM" "TATDOOL" and "AGP".
[/QUOTE]
Innuendo is 95% Freddie's, with some last minute ideas on lyrics from Roger. Roger told MODERN DRUMMER magazine in a 1991 interview that "the first single off the new album is Freddie's, and we have invited Steve Howe to play a classical piece in the middle."
It should be noted that Steve Howe's complete solo in the middle of Innuendo was written by Freddie.....Steve tabbed it out for himself on guitar, Steve Howe told GFTPM magazine in 1998 what it was like to work with Queen 7 years earlier, he said "Freddie was the consumate professional, when I came in, he showed me note for note what he wanted played, and jokingly said, don't screw this up dear, I'll never forgive you."
So...
Innuendo = Freddie
Don't try so hard = All Freddie (this John helped rumor was laid to rest by the engineer in the studio)
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.
I agree with the other listings you have, and these are supported by Sebastian as well.
To call John not as creative as the others is a misguided statement. John simply had a different writing approach.
Whereas Fred & Brian cranked out material at a fast rate, some brilliant, some just ok.... John was more calculated and thoughtful with his thoughts, and shy about presenting them to the group.
When John did speak up though....
He brought us:
Spread Your Wings
Your My Best Friend
Another One Bites The Dust
I want To break free
You and I
In Only Seven Days
Need Your Loving Tonight
Backchat
All some of the core Queen fanbase favorite songs.
[QUOTE][QUOTENAME]Scott_Mercury wrote: [/QUOTENAME]
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.[/QUOTE]
This is the first time I've ever heard this statement. About John and Roger, I mean. Where did you find this? It doesn't make sense to me because of this chord arrangement business. It's the same from intro till outro, with little different bits at some points.
Adam.
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.[/QUOTE]
This is the first time I've ever heard this statement. About John and Roger, I mean. Where did you find this? It doesn't make sense to me because of this chord arrangement business. It's the same from intro till outro, with little different bits at some points.
Adam.
When John did speak up though....
He brought us:
Spread Your Wings
Your My Best Friend
Another One Bites The Dust
I want To break free
You and I
In Only Seven Days
Need Your Loving Tonight
Backchat
All some of the core Queen fanbase favorite songs.
He also gave us Cool Cat, Pain/Pleasure, my baby Does Me, Rain Must Fall, and If You Can't beat Them.. oh and One year of Love too. He is to blame along with Freddie for Queen pursuing a disco line in the 1980s, which wa sok in moderation but no more.
[/QUOTE]
He brought us:
Spread Your Wings
Your My Best Friend
Another One Bites The Dust
I want To break free
You and I
In Only Seven Days
Need Your Loving Tonight
Backchat
All some of the core Queen fanbase favorite songs.
He also gave us Cool Cat, Pain/Pleasure, my baby Does Me, Rain Must Fall, and If You Can't beat Them.. oh and One year of Love too. He is to blame along with Freddie for Queen pursuing a disco line in the 1980s, which wa sok in moderation but no more.
[/QUOTE]
[QUOTE][QUOTENAME]Adam Baboolal wrote: [/QUOTENAME][QUOTE][QUOTENAME]Scott_Mercury wrote: [/QUOTENAME]
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.[/QUOTE]
This is the first time I've ever heard this statement. About John and Roger, I mean. Where did you find this? It doesn't make sense to me because of this chord arrangement business. It's the same from intro till outro, with little different bits at some points.
Adam.[/QUOTE]
Yes, i´ve never heard that too!
What i read at the soapbox, not long ago, was Brian saying that he was struggling hard to get the right chord progressions. He felt the song had real potencial, but he never mentioned the John or Roger input!- I think he even stated that the inspiration was "Canon in D" by Pachelbell.
About Innuendo, i don´t know about that 1991 interview, what is common sense is:
Roger started the bolero beat at the drums and then the band joined in; Freddie played the keyboards and probably came out with the chords;
I think that Greg Brooks said that there is a fantastic demo tape with other member of the band singing Innuendo (correct me if i´m wrong), so i don´t think it was a last minute contribuition. I´t´s well known that the author of the song would demoed for Freddie, so...i don´t know what to think about this one.
Don´t get me wrong but Queen members contradict themeselves over the years with the who wrote it topic. Who wrote "Under Prssure"?- I have at least three different opinions from them, so...
Take care
TSMGO = Song is Brian's, chord arrangement of the verses is John & Roger. John felt the song could be awesome, but hated Brian's demo of it...he thought he could make it better, Brian agreed with the changes.[/QUOTE]
This is the first time I've ever heard this statement. About John and Roger, I mean. Where did you find this? It doesn't make sense to me because of this chord arrangement business. It's the same from intro till outro, with little different bits at some points.
Adam.[/QUOTE]
Yes, i´ve never heard that too!
What i read at the soapbox, not long ago, was Brian saying that he was struggling hard to get the right chord progressions. He felt the song had real potencial, but he never mentioned the John or Roger input!- I think he even stated that the inspiration was "Canon in D" by Pachelbell.
About Innuendo, i don´t know about that 1991 interview, what is common sense is:
Roger started the bolero beat at the drums and then the band joined in; Freddie played the keyboards and probably came out with the chords;
I think that Greg Brooks said that there is a fantastic demo tape with other member of the band singing Innuendo (correct me if i´m wrong), so i don´t think it was a last minute contribuition. I´t´s well known that the author of the song would demoed for Freddie, so...i don´t know what to think about this one.
Don´t get me wrong but Queen members contradict themeselves over the years with the who wrote it topic. Who wrote "Under Prssure"?- I have at least three different opinions from them, so...
Take care
[QUOTE][QUOTENAME]r_m88 wrote: [/QUOTENAME]I have found this on a french site about Queen :
It's a beautiful day : recorded in 1980
Made in heaven : New version of Freddie's song
Let me live : demo with Rod Stewart during the Hot Space sessions
Mother love : New song
My life has been saved : New version of the B-side of the "Scandal" single
I was born to love you : New version of Freddie's song
Heaven for everyone : New version of The Cross' song already sang by Freddie
Too much live will kill you : New song
You don't fool me : New song
A winter's tale : New song
Do you agree ?[/QUOTE]
That looks about right! Except for TMLWKY, which was from The Miracle sessions for sure.
[QUOTE][QUOTENAME]Lester Burnham wrote: [/QUOTENAME][QUOTE][QUOTENAME]mircal wrote: [/QUOTENAME]Yes there is some valid points but i have known of YDFM being written in the HOT SPACE sessions long before GH3 came out, i never even paid attention to that. [/QUOTE]
IT. WAS. NOT. WRITTEN. DURING. SESSIONS. FOR. HOT. SPACE. IT. WAS. WRITTEN. AND. RECORDED. DURING. 1991. READ. ZEBONKA12'S. POST. AGAIN. BECAUSE. IT. IS. CORRECT. NOT. ALL. DANCE. SONGS. WERE. WRITTEN. OR. RECORDED. DURING. SESSIONS. FOR. HOT. SPACE.[/QUOTE]
I think you need to be just a slight bit more clear, Lester. I didn't get your point. Try some different languages, perhaps? Gibberish would be a good start.
Honestly people, just listen to Freddie's voice with your own two ears. Does he sound like the Hot Space Freddie, or does he sound like Innuendo Freddie? They are almost two completely different voices.
[QUOTE][QUOTENAME]Scott_Mercury wrote: [/QUOTENAME]It should be noted that Steve Howe's complete solo in the middle of Innuendo was written by Freddie.....Steve tabbed it out for himself on guitar, Steve Howe told GFTPM magazine in 1998 what it was like to work with Queen 7 years earlier, he said "Freddie was the consumate professional, when I came in, he showed me note for note what he wanted played, and jokingly said, don't screw this up dear, I'll never forgive you."[/QUOTE]
Haha, I love that. Steve Howe is the man! A brilliant musician.
It's a beautiful day : recorded in 1980
Made in heaven : New version of Freddie's song
Let me live : demo with Rod Stewart during the Hot Space sessions
Mother love : New song
My life has been saved : New version of the B-side of the "Scandal" single
I was born to love you : New version of Freddie's song
Heaven for everyone : New version of The Cross' song already sang by Freddie
Too much live will kill you : New song
You don't fool me : New song
A winter's tale : New song
Do you agree ?[/QUOTE]
That looks about right! Except for TMLWKY, which was from The Miracle sessions for sure.
[QUOTE][QUOTENAME]Lester Burnham wrote: [/QUOTENAME][QUOTE][QUOTENAME]mircal wrote: [/QUOTENAME]Yes there is some valid points but i have known of YDFM being written in the HOT SPACE sessions long before GH3 came out, i never even paid attention to that. [/QUOTE]
IT. WAS. NOT. WRITTEN. DURING. SESSIONS. FOR. HOT. SPACE. IT. WAS. WRITTEN. AND. RECORDED. DURING. 1991. READ. ZEBONKA12'S. POST. AGAIN. BECAUSE. IT. IS. CORRECT. NOT. ALL. DANCE. SONGS. WERE. WRITTEN. OR. RECORDED. DURING. SESSIONS. FOR. HOT. SPACE.[/QUOTE]
I think you need to be just a slight bit more clear, Lester. I didn't get your point. Try some different languages, perhaps? Gibberish would be a good start.
Honestly people, just listen to Freddie's voice with your own two ears. Does he sound like the Hot Space Freddie, or does he sound like Innuendo Freddie? They are almost two completely different voices.
[QUOTE][QUOTENAME]Scott_Mercury wrote: [/QUOTENAME]It should be noted that Steve Howe's complete solo in the middle of Innuendo was written by Freddie.....Steve tabbed it out for himself on guitar, Steve Howe told GFTPM magazine in 1998 what it was like to work with Queen 7 years earlier, he said "Freddie was the consumate professional, when I came in, he showed me note for note what he wanted played, and jokingly said, don't screw this up dear, I'll never forgive you."[/QUOTE]
Haha, I love that. Steve Howe is the man! A brilliant musician.
Steve rocks for sure!!
I thought Hitman was a Freddie song?
Don't hit me too hard, it's just what I remember.
Don't hit me too hard, it's just what I remember.
[QUOTE][QUOTENAME]Zebonka12 wrote: [/QUOTENAME]I thought Hitman was a Freddie song?
Don't hit me too hard, it's just what I remember.[/QUOTE]
I have a demo snippet with Brian singing it - which doesn't prove anything, I guess. But I thought maybe it was his song.
?
Don't hit me too hard, it's just what I remember.[/QUOTE]
I have a demo snippet with Brian singing it - which doesn't prove anything, I guess. But I thought maybe it was his song.
?
Going back to the discussion of You Don't Fool Me...
I think this was written back during the hot space sessions, except it was rewritten during the Montreaux sessions. The Montreux version has a dark sound to it, as the chords are mostly in minors. I would think that this was originally written in an up-tempo sounding meoldy, closer to Staying Power, and Dancer.
Body Language and YDFM bear similar qualities. My guess is the original version of YDFM they came up with was unfinished and shelved since Body Language was a stronger composition at the time. Having both YDFM and Body Language would leave YDFM to be the obvious filler.
Now if I stretch my imagination a little further, the song may have resurfaced during the Miracle sessions, as YDFM could have possibly fit on the album...My Baby Does Me, Rain Must Fall, they have the same Miracle "atmosphere". There may have been an attempt to rework the song then, and that may have reserfaced during the Montreux sessions alongside Too Much Love Will Kill You and My Life Has Been Saved, among others.
When recording during the Montreux sessions, they must have reworked the song and changed the key to fit the darker sounding nature of the album.
This is just my take on this mysterious YDFM-Hot Space theory. I have absolutely no source to back me up!
I think this was written back during the hot space sessions, except it was rewritten during the Montreaux sessions. The Montreux version has a dark sound to it, as the chords are mostly in minors. I would think that this was originally written in an up-tempo sounding meoldy, closer to Staying Power, and Dancer.
Body Language and YDFM bear similar qualities. My guess is the original version of YDFM they came up with was unfinished and shelved since Body Language was a stronger composition at the time. Having both YDFM and Body Language would leave YDFM to be the obvious filler.
Now if I stretch my imagination a little further, the song may have resurfaced during the Miracle sessions, as YDFM could have possibly fit on the album...My Baby Does Me, Rain Must Fall, they have the same Miracle "atmosphere". There may have been an attempt to rework the song then, and that may have reserfaced during the Montreux sessions alongside Too Much Love Will Kill You and My Life Has Been Saved, among others.
When recording during the Montreux sessions, they must have reworked the song and changed the key to fit the darker sounding nature of the album.
This is just my take on this mysterious YDFM-Hot Space theory. I have absolutely no source to back me up!
[QUOTE][QUOTENAME]Jimmy Dean wrote: [/QUOTENAME]This is just my take on this mysterious YDFM-Hot Space theory. I have absolutely no source to back me up![/QUOTE]
Sigh...
“As I remember, the bare bones of this song (and they were very bare!) were put down in the last sessions we did with Freddie in Montreux. When it came to piecing together Made In Heaven, the album, David Richards was keen to make the fragments into a finished song. I wasn’t sure there was enough to work on! He got a long way with weaving textures around the vocal sections we had, stretching things out a little. I think both Roger and John, who had had a lot to do with those original fragments in the beginning, went in and added some ideas. There came a point where finally I got enthusiastic, and I spent a day or so, with Dave, putting down a lot of different riffy ideas that came to me while listening to the rough mix so far. Dave then moved a lot of things around, and worked his magic (mixing is his specialty – he ‘rescued’ a lot of stuff in the past, including Duran Duran tracks, for instance) – and then we all sat around and said, ‘Didn’t we just play that perfectly!’ Well, that’s probably an oversimplification, but there you have it!”
That's from Brian, sometime in 2004. There's concrete proof - straight from the guitarist's fingers - as opposed to a theory with no evidence to support it. Can we finally put this to rest?
Sigh...
“As I remember, the bare bones of this song (and they were very bare!) were put down in the last sessions we did with Freddie in Montreux. When it came to piecing together Made In Heaven, the album, David Richards was keen to make the fragments into a finished song. I wasn’t sure there was enough to work on! He got a long way with weaving textures around the vocal sections we had, stretching things out a little. I think both Roger and John, who had had a lot to do with those original fragments in the beginning, went in and added some ideas. There came a point where finally I got enthusiastic, and I spent a day or so, with Dave, putting down a lot of different riffy ideas that came to me while listening to the rough mix so far. Dave then moved a lot of things around, and worked his magic (mixing is his specialty – he ‘rescued’ a lot of stuff in the past, including Duran Duran tracks, for instance) – and then we all sat around and said, ‘Didn’t we just play that perfectly!’ Well, that’s probably an oversimplification, but there you have it!”
That's from Brian, sometime in 2004. There's concrete proof - straight from the guitarist's fingers - as opposed to a theory with no evidence to support it. Can we finally put this to rest?
> Body Language and YDFM bear similar qualities
So do 'Seaside Rendezvous' and loads of songs in the 1920s and it doesn't mean Freddie wrote the track two decades before being born. 'Fool Me' harks back to the Hot Space era in the same way we can say 'Need Your Loving' harks back (for some extent) to the Beatles era and 'Procession' harks back to the 17th century.
Anyway, there seems to be a lot of confusion around these topics, so I decided to clear them up a bit:
Who wrote what: Indeed Freddie was still the dominant songwriter, the only songs he didn't have significative input were Scandal, Invisible Man, Breakthru (except the intro), I Want It All, Headlong, I Can't Live With You, Show Must Go On, Ride The Wild Wind, My Life Has Been Saved, Hijack my Heart and Days Of Our Lives. All the rest from Miracle onwards were written or co-written by Freddie.
John making changes to a demo: It happened with Hitman, not Show, and it doesn't mean he "hated" it.
Innuendo as 95% Freddie's: It wasn't quite that way. He was indeed the chief songwriter, but the others contributed much more than just 5%.
You Don't Fool Me, Mother Love and Winter's Tale are the only songs recorded after Innuendo. The rest of Made In Heaven is a compilation which included a previously unreleased song from 1980, some solo efforts put now as Queen tracks and a B-Side.
Indeed Mother Love and Winter's Tale overlapped.
So do 'Seaside Rendezvous' and loads of songs in the 1920s and it doesn't mean Freddie wrote the track two decades before being born. 'Fool Me' harks back to the Hot Space era in the same way we can say 'Need Your Loving' harks back (for some extent) to the Beatles era and 'Procession' harks back to the 17th century.
Anyway, there seems to be a lot of confusion around these topics, so I decided to clear them up a bit:
Who wrote what: Indeed Freddie was still the dominant songwriter, the only songs he didn't have significative input were Scandal, Invisible Man, Breakthru (except the intro), I Want It All, Headlong, I Can't Live With You, Show Must Go On, Ride The Wild Wind, My Life Has Been Saved, Hijack my Heart and Days Of Our Lives. All the rest from Miracle onwards were written or co-written by Freddie.
John making changes to a demo: It happened with Hitman, not Show, and it doesn't mean he "hated" it.
Innuendo as 95% Freddie's: It wasn't quite that way. He was indeed the chief songwriter, but the others contributed much more than just 5%.
You Don't Fool Me, Mother Love and Winter's Tale are the only songs recorded after Innuendo. The rest of Made In Heaven is a compilation which included a previously unreleased song from 1980, some solo efforts put now as Queen tracks and a B-Side.
Indeed Mother Love and Winter's Tale overlapped.
[QUOTE][QUOTENAME]Lester Burnham wrote: [/QUOTENAME][QUOTE][QUOTENAME]Jimmy Dean wrote: [/QUOTENAME]This is just my take on this mysterious YDFM-Hot Space theory. I have absolutely no source to back me up![/QUOTE]
Sigh...
That's from Brian, sometime in 2004. There's concrete proof - straight from the guitarist's fingers - as opposed to a theory with no evidence to support it. Can we finally put this to rest?[/QUOTE]
Hey, good enough for me! I still like my thinking process ;) YDFM is from the Montreux sessions! Ok, back to the discussion on whether BohRhap was about AIDS (joke!).
Sigh...
That's from Brian, sometime in 2004. There's concrete proof - straight from the guitarist's fingers - as opposed to a theory with no evidence to support it. Can we finally put this to rest?[/QUOTE]
Hey, good enough for me! I still like my thinking process ;) YDFM is from the Montreux sessions! Ok, back to the discussion on whether BohRhap was about AIDS (joke!).