Sir GH wrote:
Yara wrote:
Besides Freddie, none of the guys were really great singers - and one can easily notice that the lush vocal harmonies are the part of their music which suffers the most live.
Certainly, in the later years. But in the early years their vocal harmonies were very often bang on. Roger Taylor had one hell of a voice in his prime.
Believe me, despite all those differences between live&studio, or maybe
because of them, I love Queen's live performances in general, even in the later years. I'd go as far as saying that I like the live versions of many songs better than the studio versions; and I'd also go as far as saying that if they don't release Hammersmith '79 soon I'll blow myself up in the QP building and become the first jihadist against QP's imperial greedy policies.
I know I made a silly exaggerated point above ("basically the studio..."), and I'm the first to recognize it, but it was not intended as something literal, it's just my impression that
this concert in particular at the Rainbow was heavily edited or tampered with. Maybe it wasn't. Maybe I haven't watched it for a long time. But that's the impression I have.
I like Roger's voice. My point is not bashing the guys. I like the way Roger & Freddie interacted and harmonized some of the high-notes Freddie couldn't or didn't want to go for live -> a good example would be
If You Can't Be Them, starting at "hanging around for sooomeone to call..." when they beautifully modulate the song to E - it's an A4 in the studio I guess, if my memory serves me right - for a good deal of time.
I really enjoy listening to their live recordings. But the edits in "At The Rainbow", exactly because they make it sound so polished and even "robotic" to me, especially with regard to some vocal harmonies, spoil a bit of the fun. To my taste at least.
I love the footage, though, and I remember it seemed to be a great performance anyway.
My point being: it's normal and understandable that the vocal harmonies would suffer the most live, even in their prime. I have no quibbles with that because, giving the goals they set themselves, they faired very well live and many times the vocal harmonies were just beautiful and sounded much more natural - I love their vocal harmonies in Montreal '78, for instance, and I think even though Freddie's voice is suffering a good deal, my favorite version of "Spread Your Wings", studio included, comes from that concert.
So...I'm not attacking them as live performers, by no means.