ok, thanks.
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Hello
Can somebody kindly re-post the link to the DVD slipcase artwork for this ?
I thought I had it but when it came out of the printer it looked like I'd enlarged from a small picture and it looks real bad!
Can somebody kindly re-post the link to the DVD slipcase artwork for this ?
I thought I had it but when it came out of the printer it looked like I'd enlarged from a small picture and it looks real bad!
bryony wrote:
Hello
Can somebody kindly re-post the link to the DVD slipcase artwork for this ?
I thought I had it but when it came out of the printer it looked like I'd enlarged from a small picture and it looks real bad!
here you are, courtesy of alex s.
Many Thanks to both of you !!
[img=/images/smiley/msn/thumbs_up.gif][/img] [img=/images/smiley/msn/wink_smile.gif][/img]
[img=/images/smiley/msn/thumbs_up.gif][/img] [img=/images/smiley/msn/wink_smile.gif][/img]
udpated this artwork for this nice job of Bob!
enjoy!
Jewelcase version
DVD slipcase version
Please seed....I am stuck at 79.5% and this show is too good to only have 4/5 of! Thank you all!
Why would anyone transfer any cassette tape at 96kHz? Aside from the fact on a cassette there will be no audio content above 16khz (anything above that is 100% hiss) , chances are the type of mic used wouldn't even have that range and you can't hear above beyond 18khz anyway! There's no point preserving tape hiss.
Someone also claimed "You definitely do hear digital artifacts at 16 bit, as the recording is so good to begin with" - this is utter bollocks.... no human, not even a seasoned mastering engineer, could realisticly identify a 24 bit from a 16 bit downsample. I can understand wanting to archive an analogue recording in the highest digital spec possible, but there's no point distributing something like this recording in such high definition.
Someone also claimed "You definitely do hear digital artifacts at 16 bit, as the recording is so good to begin with" - this is utter bollocks.... no human, not even a seasoned mastering engineer, could realisticly identify a 24 bit from a 16 bit downsample. I can understand wanting to archive an analogue recording in the highest digital spec possible, but there's no point distributing something like this recording in such high definition.
^ this would get you crucified at any audiophile forum.
But I agree with you.
In a pro recording studio, higher bitrate and sample rate absolutely does make a difference. But with old cassettes? Absolutely not.
But I agree with you.
In a pro recording studio, higher bitrate and sample rate absolutely does make a difference. But with old cassettes? Absolutely not.
please seed
Any chance to reseed this great upload?
Thx in advance,
Paul
Thx in advance,
Paul
This upload is corrupted - the first of audio files is in 24/48 and the rest is 24/96 - does anyone got a 24/96 full copy?