miraclesteinway wrote:
In the Cosmos Rocks I felt they were over compensating with a dominant drum sound, and over-Queened guitars to compensate, like saying 'This is a Queen album, honest!'
It's not that it was a bad album, but it sort of sounded like a Roger/Brian solo album combined into one, with a guest singer. Funny that.....
Brian May's solo projects always sounded a bit more like Queen than Queen did, although Roger's didn't so much.
No two peopLe hear things the same way but TCR sounded like a mix that was missing at least a fourth element. I want to say a third element because the vocals were pretty uninspired. The lyrics were almost trash on the actual GOOD songs (musically SURFS UP SCHOOLS OUT is the best on the album, but with the current lyrics it's trash, second is TIME TO SHINE. .. those lyrics were written by Ralph Wiggum after listening to HOLY DIVER (*the SONG not the album)
goddawful
Where were we?
Oh yes. An actual bass player would have balanced the ELEMENTS MISSING IN THE MIX like anybody else. (Unless he'd merely been paid and told to stfu whenever a thoughtful concern occurred) the bass is lacking Moreso than on metallica's album AND JUSTICE FOR ALL.
This time an entire VOICE is missing.
I dare you to listen to TIME TO SHINE and imagine a bass line in the chorus. Go listen to VOODOO and imagine what a rhythmically ACUTE bass player could have added to rhythm and attack.
The album was rushed as hell and deserving of its MOR rock space in a WAL-MART Midwestern shop.
Still. ... I regret seeing Q+ PR... Adam Lambert was more than underwhelming. His Rock bits are shameful. He doesn't deserve the space and his wearing a crown is like sacrilege.
Surprised they let him do that.
From a marketing perspective though. ... (dot dot dot)
Children to put through college!
Those last editions of compilations didn't sell so well either!
Lifestyle to maintain.
NEVER going to release that BOXED set. .. etc etc.
Etc.
Anyways, since I'm done rambling. I LOVE John Deacon. Jimminy jillickers. He's the best