[b]Queen / The Clash / Ian Dury and the Blockheads / Matumbi / The Pretenders / The Specials / The Who / Elvis Costello / Rockpile / Wings / Rockestra
Concerts For The People of Kampuchea
Hammersmith Odeon, London, UK
26. - 29. December 1979[/b]
[u]Lineage :[/u]
AUD source (Queen) (AQ) : AUD > master tape > ? > "Complete Kampuchea Concert" (Gypsy Eye) bootleg > FLAC > WAV > Cool Edit Pro (hiss reduction on several tracks, speed correction, equalisation) > WAV
VID source (Queen) (VQ) : PRO master > VHS(lower gen) > DVD(x) > WAV > Cool Edit Pro (equalisation, downsampling from 48kHz to 44.1 kHz) > WAV
VID source (The Who) (VW) : PRO master > ? > Youtube > mp4 > WAV
VID source (rest) (V) : PRO master > Japan TV broadcast > DVD > WAV
SBD source 1 (S1) : SBD multitrack master > "Concert For Kampuchea" LP > WAV
SBD source 2 (S2) : SBD multitrack master > ? > Maxell XL-1 production cassettes > Nakamichi CR-7A (azimuth adjusted) > Sound Devices USBPre2 (24/96 Audacity 2.0 capture) > iZotope MBIT + convert to 16/44.1kHz wav > Peak Pro XT(pitch correction, subtle tweaks, edit, index) > xACT 2.21 > FLAC > WAV > Cool Edit Pro (speed correction) > WAV
AUD source (The Clash) (AC) : AUD > master > ? > "White Man In Hammersmith Odeon" bootleg > xAct (flac) > WAV > Cool Edit Pro 1.2 (remastering) > FLAC level 6
[u]Explanation about lineage info:[/u]
If I write e.g. [AQ] it means the whole song is taken from the Queen audience recording.
If I write e.g. [AQ/VQ] it means the whole song is a MATRIX of the audience Queen recording and the video Queen recording.
If I write e.g. [AQ -> AQ/VQ] it means the beginning of the song is taken from the audience Queen recording and during the song it changes to a matrix of the 2 sources
[b][u]Part I - Queen[/u][/b]
There are 2 existing sources for the Queen gig from December 26. The first one is audience recording. It has really excellent sound quality and it's virtually complete (there are a few cuts between songs, but musically it's complete).
The main problem is that it was recorded from a distance, so most of the time you can hear the audience much louder than the band. The speed is also fluctuating, it's nothing major as 99.99% of the people wouldn't notice it. The only reason why "I" noticed the speed issues is that I synced it to the "other" source :) The best circulating copy is on the Gypsy Eye bootleg "[i]Complete Kampuchea Concert[/i]". I took a FLAC rip (probably shared on Queenzone, I don't really remember), converted the files to WAV and "remastered" it. "Remastering" means track by track speed correction, sometimes volume raising (e.g. during
Brian's speeches before the acoustic songs or Silent Night) and the unpopular step - occasional hiss reduction - I reduced the hiss only in the parts where it was extremely annoying (e.g. in the parts where I raised the volume so it became more apparent).
The second source is the video source. Various different copies of a bootleg VHS->DVD transfer are circulating, their quality varies between "piece of shit" and "pretty good". They're also differently edited. Audio rips of this video are also circulating separately from the video, also released on bootlegs (e.g. Crazy Duck). The best copy I heard was the one I received for the purpose of this merge/compilation from Mr. GhostWithASmile (thanks, man). It's also the most complete version I've heard, but it still misses the taped intro, most of Jailhouse Rock, If You Can't Beat Them, most of Mustapha, the last verse of Get Down Make Love,
almost everything of Spread Your Wings, the complete KYA/Brighton Rock medley, the audience impromptu version of CLTCL,almost everything from Bohemian Rhapsody, and the encore gaps. I assumed that this recording has the correct speed, so I matched the audience recording to this (again in Cool Edit Pro).
There are 2 soundboard sources available. The first one comes from an obscure 1980 LP called [i]"Concert For Kampuchea[/i]" which included performances from (almost) all artists performing on this "mini festival". The LP features "Now I'm Here".
The second source appeared online in late 2014 and includes "Crazy Little Thing Called Love".
[b][u]Disc 1[/u][/b]
01. [i]Audience and God[/i] - Thunderbolts and lightning [tape intro] [AQ]
02. [i]Queen[/i] - Jailhouse Rock [AQ -> AQ/VQ]
03. [i]Queen[/i] - We Will Rock You (fast) [AQ/VQ]
04. [i]Queen[/i] - Let Me Entertain You [AQ/VQ]
05. [i]Queen[/i] - Somebody To Love [AQ/VQ]
06. [i]Queen[/i] - If You Can't Beat Them [AQ]
07. [i]Queen[/i] - Mustapha [AQ -> AQ/VQ]
08. [i]Queen[/i] - Death on Two Legs [AQ/VQ]
09. [i]Queen[/i] - Killer Queen [AQ/VQ]
10. [i]Queen[/i] - I'm In Love With My Car [AQ/VQ]
11. [i]Queen[/i] - Get Down, Make Love [AQ/VQ -> AQ -> AQ/VQ]
12. [i]Queen[/i] - You're My Best Friend [AQ/VQ]
13. [i]Queen[/i] - Save Me [AQ/VQ]
14. [i]Queen[/i] - Now I'm Here [AQ/VQ/S1]
15. [i]Queen[/i] - Don't Stop Me Now [AQ/VQ]
16. [i]Queen[/i] - Spread Your Wings [AQ/VQ -> AQ]
17. [i]Freddie Mercury / Brian May[/i] - Love Of My Life [AQ/VQ]
18. [i]Queen[/i] - '39 [AQ/VQ]
[b][u]Disc 2[/u][/b]
01. [i]Queen[/i] - Keep Yourself Alive [AQ]
02. [i]Roger Taylor[/i] - Percussion Solo [AQ]
03. [i]Brian May[/i] - Silent Night [AQ]
04. [i]Brian May[/i] - Guitar Solo [AQ]
05. [i]Queen[/i] - Brighton Rock (reprise) [AQ]
06. [i]Queen[/i] - Crazy Little Thing Called Love [AQ/VQ/S2]
07. [i]Queen[/i] - Bohemian Rhapsody [AQ -> AQ/VQ]
08. [i]Queen[/i] - Tie Your Mother Down [AQ/VQ]
09. [i]Queen[/i] - Sheer Heart Attack [AQ/VQ]
10. [i]Queen[/i] - We Will Rock You [AQ/VQ]
11. [i]Queen[/i] - We Are The Champions [AQ/VQ]
12. [i]Queen[/i] - God Save The Queen [AQ/VQ]
[b][u]Part II - The Clash (December 27)[/u][/b]
The main source of the Clash recording is an excellent audience recording, released on the "[i]White Man at Hammersmith Odeon[/i]" bootleg. This recording was
remastered (not by me) and shared online. Two soundboard sources exists too, the film of the gig contains "[i]Armagiddeon Time[/i]" and the new compilation tape which was shared on various web sites in late 2014/early 2015 contains Bankrobber and London Calling.
For these 3 songs I created a matrix, the rest of the songs is taken directly from the remastered audience recording. Also the audience recording ends with an interesting ending - the original version of "[i]Dancing In The Streets[/i]" plays
through the PA system, a lot of people talk and there is also a bit of an interview with "somebody". Any idea who it might be? I read in the notes to the original audience recording that it's Jonesy, but it doesn't sound like him. Does anybody
have a clue who it is?
[b][u]Disc 3[/u][/b]
01. [i]The Clash[/i] - Concert intro [AC]
02. [i]The Clash[/i] - Clash City Rockers [AC]
03. [i]The Clash[/i] - Brand New Cadillac [AC]
04. [i]The Clash[/i] - Safe European Home [AC]
05. [i]The Clash[/i] - Jimmy Jazz [AC]
06. [i]The Clash[/i] - Clampdown [AC]
07. [i]The Clash[/i] - Guns of Brixton [AC]
08. [i]The Clash[/i] - Train In Vain [AC]
09. [i]The Clash[/i] - Wrong 'Em Boyo [AC]
10. [i]The Clash[/i] - Koka Kola [AC]
11. [i]The Clash[/i] - White Man In Hammersmith Palais [AC]
12. [i]The Clash[/i] - Stay Free [AC]
13. [i]The Clash[/i] - Bankrobber [AC/S2]
14. [i]The Clash[/i] - Janie Jones [AC]
15. [i]The Clash[/i] - Complete Control [AC]
16. [i]The Clash[/i] - Armagiddeon Time [AC/V -> AC/S2]
17. [i]The Clash[/i] - London Calling [AC/S2 -> AC]
18. [i]The Clash[/i] - Concert ending speech / interview with somebody
[b][u]Part III - The Best of the Rest[/u][/b]
Unfortunately the only complete concert recordings I have found over the years are from Queen, The Clash and probably The Who (I'm still searching for a confirmation
that the Who recording is complete). But I have "bits" of the other bands performances and luckily all of
pittrek