aristide1 wrote:
Brian: "We have a new vinyl mastering, which comes straight off the mix tapes as opposed to off copies of the mix tapes. So this is the most faithful reproduction of those master mixes ever."
So this is the problem - vinyl mastering from copies, instead of the original mix tapes. Wow! I always thought the problem of recent vinyls is digitally fucked sound. My mistake.
My understanding is that this will be similar to a virgin copy of what was issued in 1977. Not a 2011 remaster, etc. Hopefully, it will have been well mastered to vinyl. The 77 version was not too shabby.
Recent vinyl is normally sourced from copies of original master tapes in order to preserve the life of those tapes. Digital copies sourced from the original master at a high bitrate (24/96 or above) would virtually be the same as hearing the original master. There have been complaints that a 24/96 sourced copy is inferior to pure analog. However, this is mainly due to the way it is marketed. No one would really be able to tell the difference as to whether a vinyl is sourced from 24/48, 24/88, 24/96, 24/192 or even 32/384... if they say sourced from the original analog tapes vs sourced from original masters... people become skeptical and start asking questions.
so brian said straight off the mixtapes to avoid any confusion... he is trying to market this as being sourced from the analogue tapes... I for one, who does collect vinyl and does hear a difference between vinyl and CDs, who does have decent equipment that would subjectively support that statement... do not care whether it was sourced from the original analog tapes, or sourced from a digital master, etc.
At the end of the day, most people who enjoy vinyl, would like to hear exactly what could be heard on the mixing board immediately before it was cut to vinyl. not a remaster, or remaster of a remaster, or a newly remastered version, etc. Basically, I appreciate the clarity of his comments. Hopefully, it sounds better than the original 77 LP.